The “Jurassic Park” franchise has been recreated many times over the past decade from movies, books and even games. As the seventh film installment in the series, “Jurassic World: Rebirth” welcomes a star-studded cast of Scarlett Johansson, Jonathan Bailey, Mahershala Ali and Rupert Friend into its high-stakes environment. Johansson plays Zora Bennett, a covert operations specialist, who is tasked with the mission of extracting genetic material from dinosaurs that contains life-changing medical ingredients. Along with the rest of the cast, Zora sets off to a tropical island where these creatures reside.

Gareth Edwards takes on the helm of directing “Jurassic World: Rebirth.” Although Edwards is no Steven Spielberg, his resume includes movies such as “Godzilla” or “Rogue One,” which are both blockbusters within a larger franchise. In addition, these movies have generally favorable reviews. It’s safe to say that it’s not Edwards’s first time handling a beloved series with a big IP.

In addition to Johansson’s Zora Bennett, Jonathan Bailey plays Henry Loomis, a paleontologist. Ali plays Duncan Kincaid, Zora’s old friend and team member, and Friend plays Martin Krebs, a pharmaceutical company representative that initiates the entire mission. While each individual actor in the cast is certainly talented and experienced, their chemistry in the movie is mild at best. The characters and their backstories are the weakest part of the film. The audiences get to know their background through spoken exposition and are given little reason to get emotionally attached to these new faces. 

Of course, the movie wouldn’t be Jurassic if it didn’t include dinosaurs. Sadly, the new movie does not carry on the spirit of using practical effects. Instead, Edwards’s Jurassic world is inhabited with CGI dinosaurs. The graphics look believable, but they aren’t the main focus of this film. Compared to the original “Jurassic Park,” which made everyone afraid of the infamous T-Rex, or even the first movie of the reboot, “Jurassic World,” the dinosaurs are far and few between in this newer film. Their presence does not take on the same command that they were once given, and as a result, both the human cast and the dinosaurs fail to deliver the palpable tension that is expected from the franchise. 

An unexpected delight of “Jurassic World: Rebirth” was the inclusion of the Delgado family. After their sailboat gets attacked by one of the sea-dwelling dinosaurs, the Delgados discover that the boat that rescued them is actually on a dangerous mission to go right into the home of these archaic animals. Despite the revelation, the family sticks together through life-threatening situations and provides a heartfelt dynamic to the film. For some fans, these characters might remind them of the kids from the original.

Overall, the movie is not bad by any means. Edwards makes sure that the audience can feel the legacy and grandeur of the original series. However, the repeated reboots and sequels do take away the magical wonder of the first “Jurassic Park.” The familiar faces in the cast give away who and who isn’t quite famous enough to survive. For example, audiences can anticipate that Johansson will not meet her end in the mouth of a T-Rex. Still, the movie provides action-packed moments even with the absence of heavy suspense. 

The “Jurassic Park” franchise has come a long way since its first installment in 1993. With many changes in its crew, cast and settings, it has gone through the same fate as the dinosaurs: constantly being modified, with their core DNA being played with for a newer, more sensational narrative. “Jurassic World: Rebirth” is not a failed experiment, but it might have been best to let the dinosaurs rest. No matter how much the movies deliver this lesson, “Jurassic World: Rebirth” leaves its ending open even without a confirmed sequel. For now, the franchise won’t go extinct.

The post ‘Jurassic World: Rebirth’ claws its way into the box office appeared first on Technique.

The “Jurassic Park” franchise has been recreated many times over the past decade from movies, books and even games. As the seventh film installment in the series, “Jurassic World: Rebirth” welcomes a star-studded cast of Scarlett Johansson, Jonathan Bailey, Mahershala Ali and Rupert Friend into its high-stakes environment. Johansson plays Zora Bennett, a covert operations specialist, who is tasked with the mission of extracting genetic material from dinosaurs that contains life-changing medical ingredients. Along with the rest of the cast, Zora sets off to a tropical island where these creatures reside.

Gareth Edwards takes on the helm of directing “Jurassic World: Rebirth.” Although Edwards is no Steven Spielberg, his resume includes movies such as “Godzilla” or “Rogue One,” which are both blockbusters within a larger franchise. In addition, these movies have generally favorable reviews. It’s safe to say that it’s not Edwards’s first time handling a beloved series with a big IP.

In addition to Johansson’s Zora Bennett, Jonathan Bailey plays Henry Loomis, a paleontologist. Ali plays Duncan Kincaid, Zora’s old friend and team member, and Friend plays Martin Krebs, a pharmaceutical company representative that initiates the entire mission. While each individual actor in the cast is certainly talented and experienced, their chemistry in the movie is mild at best. The characters and their backstories are the weakest part of the film. The audiences get to know their background through spoken exposition and are given little reason to get emotionally attached to these new faces. 

Of course, the movie wouldn’t be Jurassic if it didn’t include dinosaurs. Sadly, the new movie does not carry on the spirit of using practical effects. Instead, Edwards’s Jurassic world is inhabited with CGI dinosaurs. The graphics look believable, but they aren’t the main focus of this film. Compared to the original “Jurassic Park,” which made everyone afraid of the infamous T-Rex, or even the first movie of the reboot, “Jurassic World,” the dinosaurs are far and few between in this newer film. Their presence does not take on the same command that they were once given, and as a result, both the human cast and the dinosaurs fail to deliver the palpable tension that is expected from the franchise. 

An unexpected delight of “Jurassic World: Rebirth” was the inclusion of the Delgado family. After their sailboat gets attacked by one of the sea-dwelling dinosaurs, the Delgados discover that the boat that rescued them is actually on a dangerous mission to go right into the home of these archaic animals. Despite the revelation, the family sticks together through life-threatening situations and provides a heartfelt dynamic to the film. For some fans, these characters might remind them of the kids from the original.

Overall, the movie is not bad by any means. Edwards makes sure that the audience can feel the legacy and grandeur of the original series. However, the repeated reboots and sequels do take away the magical wonder of the first “Jurassic Park.” The familiar faces in the cast give away who and who isn’t quite famous enough to survive. For example, audiences can anticipate that Johansson will not meet her end in the mouth of a T-Rex. Still, the movie provides action-packed moments even with the absence of heavy suspense. 

The “Jurassic Park” franchise has come a long way since its first installment in 1993. With many changes in its crew, cast and settings, it has gone through the same fate as the dinosaurs: constantly being modified, with their core DNA being played with for a newer, more sensational narrative. “Jurassic World: Rebirth” is not a failed experiment, but it might have been best to let the dinosaurs rest. No matter how much the movies deliver this lesson, “Jurassic World: Rebirth” leaves its ending open even without a confirmed sequel. For now, the franchise won’t go extinct.

The post ‘Jurassic World: Rebirth’ claws its way into the box office appeared first on Technique.

The “Jurassic Park” franchise has been recreated many times over the past decade from movies, books and even games. As the seventh film installment in the series, “Jurassic World: Rebirth” welcomes a star-studded cast of Scarlett Johansson, Jonathan Bailey, Mahershala Ali and Rupert Friend into its high-stakes environment. Johansson plays Zora Bennett, a covert operations specialist, who is tasked with the mission of extracting genetic material from dinosaurs that contains life-changing medical ingredients. Along with the rest of the cast, Zora sets off to a tropical island where these creatures reside.

Gareth Edwards takes on the helm of directing “Jurassic World: Rebirth.” Although Edwards is no Steven Spielberg, his resume includes movies such as “Godzilla” or “Rogue One,” which are both blockbusters within a larger franchise. In addition, these movies have generally favorable reviews. It’s safe to say that it’s not Edwards’s first time handling a beloved series with a big IP.

In addition to Johansson’s Zora Bennett, Jonathan Bailey plays Henry Loomis, a paleontologist. Ali plays Duncan Kincaid, Zora’s old friend and team member, and Friend plays Martin Krebs, a pharmaceutical company representative that initiates the entire mission. While each individual actor in the cast is certainly talented and experienced, their chemistry in the movie is mild at best. The characters and their backstories are the weakest part of the film. The audiences get to know their background through spoken exposition and are given little reason to get emotionally attached to these new faces. 

Of course, the movie wouldn’t be Jurassic if it didn’t include dinosaurs. Sadly, the new movie does not carry on the spirit of using practical effects. Instead, Edwards’s Jurassic world is inhabited with CGI dinosaurs. The graphics look believable, but they aren’t the main focus of this film. Compared to the original “Jurassic Park,” which made everyone afraid of the infamous T-Rex, or even the first movie of the reboot, “Jurassic World,” the dinosaurs are far and few between in this newer film. Their presence does not take on the same command that they were once given, and as a result, both the human cast and the dinosaurs fail to deliver the palpable tension that is expected from the franchise. 

An unexpected delight of “Jurassic World: Rebirth” was the inclusion of the Delgado family. After their sailboat gets attacked by one of the sea-dwelling dinosaurs, the Delgados discover that the boat that rescued them is actually on a dangerous mission to go right into the home of these archaic animals. Despite the revelation, the family sticks together through life-threatening situations and provides a heartfelt dynamic to the film. For some fans, these characters might remind them of the kids from the original.

Overall, the movie is not bad by any means. Edwards makes sure that the audience can feel the legacy and grandeur of the original series. However, the repeated reboots and sequels do take away the magical wonder of the first “Jurassic Park.” The familiar faces in the cast give away who and who isn’t quite famous enough to survive. For example, audiences can anticipate that Johansson will not meet her end in the mouth of a T-Rex. Still, the movie provides action-packed moments even with the absence of heavy suspense. 

The “Jurassic Park” franchise has come a long way since its first installment in 1993. With many changes in its crew, cast and settings, it has gone through the same fate as the dinosaurs: constantly being modified, with their core DNA being played with for a newer, more sensational narrative. “Jurassic World: Rebirth” is not a failed experiment, but it might have been best to let the dinosaurs rest. No matter how much the movies deliver this lesson, “Jurassic World: Rebirth” leaves its ending open even without a confirmed sequel. For now, the franchise won’t go extinct.

The post ‘Jurassic World: Rebirth’ claws its way into the box office appeared first on Technique.

The “Jurassic Park” franchise has been recreated many times over the past decade from movies, books and even games. As the seventh film installment in the series, “Jurassic World: Rebirth” welcomes a star-studded cast of Scarlett Johansson, Jonathan Bailey, Mahershala Ali and Rupert Friend into its high-stakes environment. Johansson plays Zora Bennett, a covert operations specialist, who is tasked with the mission of extracting genetic material from dinosaurs that contains life-changing medical ingredients. Along with the rest of the cast, Zora sets off to a tropical island where these creatures reside.

Gareth Edwards takes on the helm of directing “Jurassic World: Rebirth.” Although Edwards is no Steven Spielberg, his resume includes movies such as “Godzilla” or “Rogue One,” which are both blockbusters within a larger franchise. In addition, these movies have generally favorable reviews. It’s safe to say that it’s not Edwards’s first time handling a beloved series with a big IP.

In addition to Johansson’s Zora Bennett, Jonathan Bailey plays Henry Loomis, a paleontologist. Ali plays Duncan Kincaid, Zora’s old friend and team member, and Friend plays Martin Krebs, a pharmaceutical company representative that initiates the entire mission. While each individual actor in the cast is certainly talented and experienced, their chemistry in the movie is mild at best. The characters and their backstories are the weakest part of the film. The audiences get to know their background through spoken exposition and are given little reason to get emotionally attached to these new faces. 

Of course, the movie wouldn’t be Jurassic if it didn’t include dinosaurs. Sadly, the new movie does not carry on the spirit of using practical effects. Instead, Edwards’s Jurassic world is inhabited with CGI dinosaurs. The graphics look believable, but they aren’t the main focus of this film. Compared to the original “Jurassic Park,” which made everyone afraid of the infamous T-Rex, or even the first movie of the reboot, “Jurassic World,” the dinosaurs are far and few between in this newer film. Their presence does not take on the same command that they were once given, and as a result, both the human cast and the dinosaurs fail to deliver the palpable tension that is expected from the franchise. 

An unexpected delight of “Jurassic World: Rebirth” was the inclusion of the Delgado family. After their sailboat gets attacked by one of the sea-dwelling dinosaurs, the Delgados discover that the boat that rescued them is actually on a dangerous mission to go right into the home of these archaic animals. Despite the revelation, the family sticks together through life-threatening situations and provides a heartfelt dynamic to the film. For some fans, these characters might remind them of the kids from the original.

Overall, the movie is not bad by any means. Edwards makes sure that the audience can feel the legacy and grandeur of the original series. However, the repeated reboots and sequels do take away the magical wonder of the first “Jurassic Park.” The familiar faces in the cast give away who and who isn’t quite famous enough to survive. For example, audiences can anticipate that Johansson will not meet her end in the mouth of a T-Rex. Still, the movie provides action-packed moments even with the absence of heavy suspense. 

The “Jurassic Park” franchise has come a long way since its first installment in 1993. With many changes in its crew, cast and settings, it has gone through the same fate as the dinosaurs: constantly being modified, with their core DNA being played with for a newer, more sensational narrative. “Jurassic World: Rebirth” is not a failed experiment, but it might have been best to let the dinosaurs rest. No matter how much the movies deliver this lesson, “Jurassic World: Rebirth” leaves its ending open even without a confirmed sequel. For now, the franchise won’t go extinct.

The post ‘Jurassic World: Rebirth’ claws its way into the box office appeared first on Technique.

The “Jurassic Park” franchise has been recreated many times over the past decade from movies, books and even games. As the seventh film installment in the series, “Jurassic World: Rebirth” welcomes a star-studded cast of Scarlett Johansson, Jonathan Bailey, Mahershala Ali and Rupert Friend into its high-stakes environment. Johansson plays Zora Bennett, a covert operations specialist, who is tasked with the mission of extracting genetic material from dinosaurs that contains life-changing medical ingredients. Along with the rest of the cast, Zora sets off to a tropical island where these creatures reside.

Gareth Edwards takes on the helm of directing “Jurassic World: Rebirth.” Although Edwards is no Steven Spielberg, his resume includes movies such as “Godzilla” or “Rogue One,” which are both blockbusters within a larger franchise. In addition, these movies have generally favorable reviews. It’s safe to say that it’s not Edwards’s first time handling a beloved series with a big IP.

In addition to Johansson’s Zora Bennett, Jonathan Bailey plays Henry Loomis, a paleontologist. Ali plays Duncan Kincaid, Zora’s old friend and team member, and Friend plays Martin Krebs, a pharmaceutical company representative that initiates the entire mission. While each individual actor in the cast is certainly talented and experienced, their chemistry in the movie is mild at best. The characters and their backstories are the weakest part of the film. The audiences get to know their background through spoken exposition and are given little reason to get emotionally attached to these new faces. 

Of course, the movie wouldn’t be Jurassic if it didn’t include dinosaurs. Sadly, the new movie does not carry on the spirit of using practical effects. Instead, Edwards’s Jurassic world is inhabited with CGI dinosaurs. The graphics look believable, but they aren’t the main focus of this film. Compared to the original “Jurassic Park,” which made everyone afraid of the infamous T-Rex, or even the first movie of the reboot, “Jurassic World,” the dinosaurs are far and few between in this newer film. Their presence does not take on the same command that they were once given, and as a result, both the human cast and the dinosaurs fail to deliver the palpable tension that is expected from the franchise. 

An unexpected delight of “Jurassic World: Rebirth” was the inclusion of the Delgado family. After their sailboat gets attacked by one of the sea-dwelling dinosaurs, the Delgados discover that the boat that rescued them is actually on a dangerous mission to go right into the home of these archaic animals. Despite the revelation, the family sticks together through life-threatening situations and provides a heartfelt dynamic to the film. For some fans, these characters might remind them of the kids from the original.

Overall, the movie is not bad by any means. Edwards makes sure that the audience can feel the legacy and grandeur of the original series. However, the repeated reboots and sequels do take away the magical wonder of the first “Jurassic Park.” The familiar faces in the cast give away who and who isn’t quite famous enough to survive. For example, audiences can anticipate that Johansson will not meet her end in the mouth of a T-Rex. Still, the movie provides action-packed moments even with the absence of heavy suspense. 

The “Jurassic Park” franchise has come a long way since its first installment in 1993. With many changes in its crew, cast and settings, it has gone through the same fate as the dinosaurs: constantly being modified, with their core DNA being played with for a newer, more sensational narrative. “Jurassic World: Rebirth” is not a failed experiment, but it might have been best to let the dinosaurs rest. No matter how much the movies deliver this lesson, “Jurassic World: Rebirth” leaves its ending open even without a confirmed sequel. For now, the franchise won’t go extinct.

The post ‘Jurassic World: Rebirth’ claws its way into the box office appeared first on Technique.

The “Jurassic Park” franchise has been recreated many times over the past decade from movies, books and even games. As the seventh film installment in the series, “Jurassic World: Rebirth” welcomes a star-studded cast of Scarlett Johansson, Jonathan Bailey, Mahershala Ali and Rupert Friend into its high-stakes environment. Johansson plays Zora Bennett, a covert operations specialist, who is tasked with the mission of extracting genetic material from dinosaurs that contains life-changing medical ingredients. Along with the rest of the cast, Zora sets off to a tropical island where these creatures reside.

Gareth Edwards takes on the helm of directing “Jurassic World: Rebirth.” Although Edwards is no Steven Spielberg, his resume includes movies such as “Godzilla” or “Rogue One,” which are both blockbusters within a larger franchise. In addition, these movies have generally favorable reviews. It’s safe to say that it’s not Edwards’s first time handling a beloved series with a big IP.

In addition to Johansson’s Zora Bennett, Jonathan Bailey plays Henry Loomis, a paleontologist. Ali plays Duncan Kincaid, Zora’s old friend and team member, and Friend plays Martin Krebs, a pharmaceutical company representative that initiates the entire mission. While each individual actor in the cast is certainly talented and experienced, their chemistry in the movie is mild at best. The characters and their backstories are the weakest part of the film. The audiences get to know their background through spoken exposition and are given little reason to get emotionally attached to these new faces. 

Of course, the movie wouldn’t be Jurassic if it didn’t include dinosaurs. Sadly, the new movie does not carry on the spirit of using practical effects. Instead, Edwards’s Jurassic world is inhabited with CGI dinosaurs. The graphics look believable, but they aren’t the main focus of this film. Compared to the original “Jurassic Park,” which made everyone afraid of the infamous T-Rex, or even the first movie of the reboot, “Jurassic World,” the dinosaurs are far and few between in this newer film. Their presence does not take on the same command that they were once given, and as a result, both the human cast and the dinosaurs fail to deliver the palpable tension that is expected from the franchise. 

An unexpected delight of “Jurassic World: Rebirth” was the inclusion of the Delgado family. After their sailboat gets attacked by one of the sea-dwelling dinosaurs, the Delgados discover that the boat that rescued them is actually on a dangerous mission to go right into the home of these archaic animals. Despite the revelation, the family sticks together through life-threatening situations and provides a heartfelt dynamic to the film. For some fans, these characters might remind them of the kids from the original.

Overall, the movie is not bad by any means. Edwards makes sure that the audience can feel the legacy and grandeur of the original series. However, the repeated reboots and sequels do take away the magical wonder of the first “Jurassic Park.” The familiar faces in the cast give away who and who isn’t quite famous enough to survive. For example, audiences can anticipate that Johansson will not meet her end in the mouth of a T-Rex. Still, the movie provides action-packed moments even with the absence of heavy suspense. 

The “Jurassic Park” franchise has come a long way since its first installment in 1993. With many changes in its crew, cast and settings, it has gone through the same fate as the dinosaurs: constantly being modified, with their core DNA being played with for a newer, more sensational narrative. “Jurassic World: Rebirth” is not a failed experiment, but it might have been best to let the dinosaurs rest. No matter how much the movies deliver this lesson, “Jurassic World: Rebirth” leaves its ending open even without a confirmed sequel. For now, the franchise won’t go extinct.

The post ‘Jurassic World: Rebirth’ claws its way into the box office appeared first on Technique.

Almost 15 years ago, Dreamworks released the animated film “How to Train Your Dragon,” a fantasy adventure movie for families. After the success of major franchises like “Shrek” or “Kung Fu Panda,” Dreamworks was solidifying itself as a trustworthy studio for fun and quirky movies. Naturally, “How to Train Your Dragon” followed these steps, earning its way into fans’ hearts as well as achieving commercial and critical success. The story of Hiccup, a nerdy Viking who learns his place in his world, captured the attention of millions of young movie-goers. They got to grow up with him throughout the sequels, and now they get to see Hiccup come to life with the live-action movie now in theaters. 

The 2025 live-action “How to Train Your Dragon” rehashes the original in many aspects. Gerald Butler reprises his role as Stoick, the stoic father to Hiccup’s whimsical misadventures. In addition, Dean DeBlois returns as the director-writer of the franchise. More hardcore fans also are delighted that John Powell, the original composer of the animated movie, joined the live-action to include his poignant score. Many appreciated how the cast and crew were on board when making the new movie; they took it as a sign that there was passion and intention rather than a quick cash grab like many other live-action movies.

New additions include Mason Thames, who takes on the role of Hiccup with his iconic messy brown hair and awkward figure. Nico Parker plays Astrid, the spirited warrior and Hiccup’s eventual friend. Both Thames and Parker are Hollywood newcomers, but they can be seen in recent projects such as “The Black Phone” and “The Last of Us,” respectively.

The plot remains the same without major changes, which was good news for many fans. Especially since DeBlois returns as the director, the overarching narrative and the important moments are still present in the film. The first time that Hiccup rides his dragon, Toothless, is a moment many will remember from the 2010 version. The same sentiment carries on in the 2025 film, and both old and new moviegoers alike can feel the excitement and rush of getting to fly on the back of a dragon. These emotional scenes are what makes “How to Train Your Dragon” a classic to revisit, and the live-action clearly incorporates them in order to portray the journey that Hiccup takes to become a leader and an explorer.

One major concern that audiences had was the portrayal of Toothless. With his big eyes and mythical stature, Toothless worked as a cartoon. As he accompanies the protagonist Hiccup and develops as a character himself, Toothless needed to be spot-on for the live-action to work. Fortunately, the crew behind the graphics did a splendid job in creating the creature. Toothless manages to appear as cute and fiery as the animated version while not looking uncanny compared to the humans next to him. Thames’s Hiccup and the new Toothless are perhaps the best part of this film.

However, while this live-action fares much better than other recent remakes such as “Snow White,” there is still something missing from it when compared to the animated film. Although DeBlois tries his best to reimagine the original movie, the new “How to Train Your Dragon” is still a replica. The emotional notes hit the same, but they may be a bit too similar. The audience can expect every single scene if they have seen the original, which eliminates elements of surprise or revelations. The classic live-action dilemma unveils: will it add backstories and changes to the plot, or will it remain faithful? The 2025 “How to Train Your Dragon” is certainly the latter, but faithfulness may not be enough for the film to capture the audience’s hearts. 

In many aspects, the animated movie bears originality, sensation and effort. The new movie plays it safe and rides on the success of its precedent. Going into the theater and watching the film certainly elicits a feeling of nostalgia. However, some may wonder: Why watch the live-action when the original is right there? The shot-for-shot remake is a good movie — it just has existed before. Still, there is room for improvements in its sequels, in which DeBlois will also take on the lead. “How to Train Your Dragon” is a beloved franchise, and while the new movie isn’t exactly new, it serves its purpose to welcome back its fans into the fantastical world.

The post ‘How to Train Your Dragon’ comes alive in newest live-action appeared first on Technique.

On April 24, indie rock singer Sharon Van Etten performed at the Variety Playhouse alongside her band, the Attachment Theory. Atlanta was the first stop on this leg of her North American tour, and the setting of the venue allowed for an intimate crowd on her opening night. 

Van Etten has been in the music industry since the late 2000’s, releasing six studio albums before the self-titled “Sharon Van Etten & the Attachment Theory” that came out earlier this year. Over the years, her songs have been featured in TV shows such as “The Walking Dead” and “The Man in the High Castle” and movies such as “Past Lives.” Her long-lasting career was reflected by the crowd gathered inside Variety Playhouse — both younger and older audiences came together for the first night of Van Etten’s performance. 

The concert began with an opening set by indie/alternative band Love Spells. Frontman Sir Taegen C’aion Harris’s mesmerizing vocals held the crowd’s attention for the entirety of his show. Love Spells’s dreamy, psychedelic sounds gave an effective introduction to Van Etten’s equally unique music.

Van Etten kicked off her set with “Live Forever,” the first song on the new album. Her and the band  proceeded to play consecutive songs from the album with passion and a clear harmony between the band members. Even when playing some of Van Etten’s solo songs, she shared the spotlight with her bassist Devra Hoff, guitarist/keyboardist Teeny Liberson and drummer Jorge Balbi.

The singer took the time to acknowledge how this tour was the first time she had worked alongside a band. Van Etten noted how it was much different from her solo work, where she mostly wrote her own songs and performed by herself. According to Van Etten, the process was very different, and it led to a fresh perspective and a deeper understanding of her craft. 

The band’s addition was evident in their reenactment of “Every Time the Sun Comes Up,” a song written by Van Etten in 2014. The original features languid vocals and regretful lyrics. However, the version that Van Etten and the Attachment Theory performed was rearranged into an upbeat and lively tune. This new arrangement changed the song’s interpretation, making the lyrics feel freeing rather than melancholic.

In a memorable moment during the show, the singer paid tribute to David Lynch, a filmmaker who recently passed. Van Etten expressed how honored she was that her song “Tarifa” appeared in the 2017 revival of Lynch’s “Twin Peaks,” and she dedicated her performance of the song to him. With her thoughtful vocals, the genuine dedication connected with many of her fans. 

For her penultimate song, Van Etten performed “Seventeen,” one of her most popular tracks. Combined with its contemplative lyrics and an exciting melody, the song brought out the loudest cheers as the entire venue sang along. The song is a fan-favorite, and it emits a nostalgic mood that lets anyone relate to its lyrics. 

Van Etten noted the enthusiasm and thanked her audience for a stellar opening night. After leaving the stage, Van Etten and the Attachment Theory came back for a final encore of “Fading Beauty,” a fitting title for the performance’s closing. The softer song acted as a goodbye from Van Etten to the crowd standing before her.

Sharon Van Etten & the Attachment Theory continue their tour throughout the summer and will play at festivals such as BottleRock Napa Valley, End of the Road Festival and All Things Go. For fans of cinematic lyrics and the contemporary rock genre, Sharon Van Etten is an underrated gem in her craft.

The post Sharon Van Etten captivates Variety Playhouse appeared first on Technique.

On April 24, indie rock singer Sharon Van Etten performed at the Variety Playhouse alongside her band, the Attachment Theory. Atlanta was the first stop on this leg of her North American tour, and the setting of the venue allowed for an intimate crowd on her opening night. 

Van Etten has been in the music industry since the late 2000’s, releasing six studio albums before the self-titled “Sharon Van Etten & the Attachment Theory” that came out earlier this year. Over the years, her songs have been featured in TV shows such as “The Walking Dead” and “The Man in the High Castle” and movies such as “Past Lives.” Her long-lasting career was reflected by the crowd gathered inside Variety Playhouse — both younger and older audiences came together for the first night of Van Etten’s performance. 

The concert began with an opening set by indie/alternative band Love Spells. Frontman Sir Taegen C’aion Harris’s mesmerizing vocals held the crowd’s attention for the entirety of his show. Love Spells’s dreamy, psychedelic sounds gave an effective introduction to Van Etten’s equally unique music.

Van Etten kicked off her set with “Live Forever,” the first song on the new album. Her and the band  proceeded to play consecutive songs from the album with passion and a clear harmony between the band members. Even when playing some of Van Etten’s solo songs, she shared the spotlight with her bassist Devra Hoff, guitarist/keyboardist Teeny Liberson and drummer Jorge Balbi.

The singer took the time to acknowledge how this tour was the first time she had worked alongside a band. Van Etten noted how it was much different from her solo work, where she mostly wrote her own songs and performed by herself. According to Van Etten, the process was very different, and it led to a fresh perspective and a deeper understanding of her craft. 

The band’s addition was evident in their reenactment of “Every Time the Sun Comes Up,” a song written by Van Etten in 2014. The original features languid vocals and regretful lyrics. However, the version that Van Etten and the Attachment Theory performed was rearranged into an upbeat and lively tune. This new arrangement changed the song’s interpretation, making the lyrics feel freeing rather than melancholic.

In a memorable moment during the show, the singer paid tribute to David Lynch, a filmmaker who recently passed. Van Etten expressed how honored she was that her song “Tarifa” appeared in the 2017 revival of Lynch’s “Twin Peaks,” and she dedicated her performance of the song to him. With her thoughtful vocals, the genuine dedication connected with many of her fans. 

For her penultimate song, Van Etten performed “Seventeen,” one of her most popular tracks. Combined with its contemplative lyrics and an exciting melody, the song brought out the loudest cheers as the entire venue sang along. The song is a fan-favorite, and it emits a nostalgic mood that lets anyone relate to its lyrics. 

Van Etten noted the enthusiasm and thanked her audience for a stellar opening night. After leaving the stage, Van Etten and the Attachment Theory came back for a final encore of “Fading Beauty,” a fitting title for the performance’s closing. The softer song acted as a goodbye from Van Etten to the crowd standing before her.

Sharon Van Etten & the Attachment Theory continue their tour throughout the summer and will play at festivals such as BottleRock Napa Valley, End of the Road Festival and All Things Go. For fans of cinematic lyrics and the contemporary rock genre, Sharon Van Etten is an underrated gem in her craft.

The post Sharon Van Etten captivates Variety Playhouse appeared first on Technique.

On April 24, indie rock singer Sharon Van Etten performed at the Variety Playhouse alongside her band, the Attachment Theory. Atlanta was the first stop on this leg of her North American tour, and the setting of the venue allowed for an intimate crowd on her opening night. 

Van Etten has been in the music industry since the late 2000’s, releasing six studio albums before the self-titled “Sharon Van Etten & the Attachment Theory” that came out earlier this year. Over the years, her songs have been featured in TV shows such as “The Walking Dead” and “The Man in the High Castle” and movies such as “Past Lives.” Her long-lasting career was reflected by the crowd gathered inside Variety Playhouse — both younger and older audiences came together for the first night of Van Etten’s performance. 

The concert began with an opening set by indie/alternative band Love Spells. Frontman Sir Taegen C’aion Harris’s mesmerizing vocals held the crowd’s attention for the entirety of his show. Love Spells’s dreamy, psychedelic sounds gave an effective introduction to Van Etten’s equally unique music.

Van Etten kicked off her set with “Live Forever,” the first song on the new album. Her and the band  proceeded to play consecutive songs from the album with passion and a clear harmony between the band members. Even when playing some of Van Etten’s solo songs, she shared the spotlight with her bassist Devra Hoff, guitarist/keyboardist Teeny Liberson and drummer Jorge Balbi.

The singer took the time to acknowledge how this tour was the first time she had worked alongside a band. Van Etten noted how it was much different from her solo work, where she mostly wrote her own songs and performed by herself. According to Van Etten, the process was very different, and it led to a fresh perspective and a deeper understanding of her craft. 

The band’s addition was evident in their reenactment of “Every Time the Sun Comes Up,” a song written by Van Etten in 2014. The original features languid vocals and regretful lyrics. However, the version that Van Etten and the Attachment Theory performed was rearranged into an upbeat and lively tune. This new arrangement changed the song’s interpretation, making the lyrics feel freeing rather than melancholic.

In a memorable moment during the show, the singer paid tribute to David Lynch, a filmmaker who recently passed. Van Etten expressed how honored she was that her song “Tarifa” appeared in the 2017 revival of Lynch’s “Twin Peaks,” and she dedicated her performance of the song to him. With her thoughtful vocals, the genuine dedication connected with many of her fans. 

For her penultimate song, Van Etten performed “Seventeen,” one of her most popular tracks. Combined with its contemplative lyrics and an exciting melody, the song brought out the loudest cheers as the entire venue sang along. The song is a fan-favorite, and it emits a nostalgic mood that lets anyone relate to its lyrics. 

Van Etten noted the enthusiasm and thanked her audience for a stellar opening night. After leaving the stage, Van Etten and the Attachment Theory came back for a final encore of “Fading Beauty,” a fitting title for the performance’s closing. The softer song acted as a goodbye from Van Etten to the crowd standing before her.

Sharon Van Etten & the Attachment Theory continue their tour throughout the summer and will play at festivals such as BottleRock Napa Valley, End of the Road Festival and All Things Go. For fans of cinematic lyrics and the contemporary rock genre, Sharon Van Etten is an underrated gem in her craft.

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