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Ferguson: Do land acknowledgments matter if no one listens?

Eugene sits on the ancestral homeland of the Kalapuya people. I know that because I’ve heard the land acknowledgment dozens of times: before lectures, in campus emails and at university events. But I still find myself asking: Do we truly understand what these statements mean?

Land acknowledgments are meant to recognize Indigenous people and the history of the land now occupied by government institutions, such as the university. But when they’re read out of obligation before an event or tucked in the bottom of an administrator’s email, they start to feel more like a requirement than a sign of respect. If no one really hears them or even reads them, how meaningful can they be?

On the OregonNews website, The University of Oregon lists different programs meant to support Indigenous students and build relationships with Oregon’s nine federally recognized tribes (Burns Paiute, Coquille, Cow Creek Band of Umpqua, the Confederated Tribes of Coos, Lower Umpqua and Siuslaw, Grand Ronde, Siletz, Umatilla, Warm Spring and the Klamath). From building the Many Nations Longhouse on campus to signing a memorandum of understanding, the university counts these achievements as proof that it’s supporting Indigenous communities and honoring its commitments.

While these partnerships do point towards a deeper engagement and acknowledgment of Indigenous land, the recognition is louder than the tangible support that is given. 

This isn’t just a problem with UO; Sophia Takahashi-Rosales, a student attending Oregon State University, shared similar concerns — that land acknowledgments often feel performative and tend to lack context or follow-through.

“I feel neutral toward land acknowledgments. I think they can bring awareness, but the execution is often half-baked and feels performative. It’s great that the past is acknowledged, but at the same time, nothing is being done to counteract it,” Takahashi said.

So what could tangible support look like? It might be redirecting a portion of university endowments or grants to Indigenous student programs and tribal organizations. It could mean hiring more Indigenous faculty or consulting tribal leaders when shaping university land-use policies; there are lots of things the university could do. 

While the University of Oregon does showcase the Many Nations Longhouse building as a symbol of commitment and support to Indigenous communities, progress requires more than symbolic gestures. Although the Many Nations Longhouse building was constructed in 2004 with state funds, university donations and private donations, today the Longhouse building relies on fundraising, such as the Native Duck Fund’s $10,000 goal, to provide essential support for Indigenous students.

The Many Nations Longhouse Building holds cultural importance; it’s a place for students to find community and support. But when a university’s most visible investment in Indigenous students depends on outside donors instead of getting more funding, I find myself asking: Are we really honoring Indigenous communities or just appearing to?

 These productive actions to acknowledge Indigenous communities don’t erase history, but they do show an effort to build equitable futures for Indigenous students, shifting from performative gestures to more tangible change. 

Land acknowledgments aren’t at their core empty, but when they’re used as the only gesture of support for Indigenous communities, they tend to reduce the deep history into a half-baked mandated speech. If we’re going to do land acknowledgments, we should also be asking: What else can we do?

Because for an acknowledgment to matter, it shouldn’t be the last thing copied and pasted in an email.

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‘Superman’ Soars Again

James Gunn’s “Superman” delivers the kind of superhero movie that reminds us why we ever fell in love with comic books in the first place. 

For longtime fans of the genre, especially those who grew up flipping through pages filled with bold colors and noble ideologies, the film feels like a return to something deeply familiar without ever feeling stale. 

This isn’t a rehash of origin stories or a grim attempt to modernize the character beyond recognition, luckily. 

Gunn places Clark Kent, played by David Corenswet, in a world that already knows who he is. Rather than resting on his alien status, Clark finds himself grappling with what it means to be good in a world that questions that goodness. 

The film’s pacing benefits from its boldness. Gunn doesn’t shy away from quiet moments, giving space for the story to breathe and for Clark’s introspection to deepen. 

These quieter moments of stillness invite reflection, not just on Superman’s place in the world, but on the audience’s own notions of heroism. Whether it’s a fleeting glance at Smallville or an exchange in the Daily Planet office, every scene adds texture to a character we thought we already knew. 

Visually, the film thrives in its contrast. Metropolis glows with hopeful futurism, while the Fortress of Solitude offers a glimpse into Superman’s emotional distance. 

Gunn’s stylistic choices enhance these dualities, not just between good and evil, but between playful and serious, intimate and larger-than-life. It’s a superhero movie that trusts audiences to sit with complexity without losing the joy of its genre. 

The contrast between Superman and Lex Luthor, the villain who Nicholas Hoult plays as eccentric and calculating, is as clear as it is compelling. 

Luthor, always surrounded by people but emotionally vacant, manipulates those around him with surgical precision. Superman, surrounded by robots in his ice fortress and physically isolated, remains deeply connected to his humanity. 

Gunn’s confident storytelling allows themes to surface naturally. Every thread introduced early on finds its way back into the plot, giving the movie a satisfying sense of completion and intention. 

Nothing is left hanging. 

Clark’s inner conflict isn’t just thematic, it’s symbolic. Corenswet gives the character a gentle dignity, portraying a hero who doesn’t strive to be worshipped, but understood. 

His small gestures — a pause before helping, a moment of uncertainty — render him achingly human. These choices elevate the film’s emotional arc without slowing down its momentum. 

What helps the narrative thrive is how Gunn leans into Superman’s mythos without making it feel dusty. Easter eggs nod to earlier iterations without distracting from the story, while new lore is threaded throughout with care. 

It’s clear that Gunn respects the source material, but he’s also reimagining it for audiences who crave the depth only new content can provide.

Each character’s motives are clearly stated, leaving no room for murky interpretation. Superman is framed not as a savior above us, but as a man trying to live with integrity. 

Lex despises him not for what he does but for what he represents — a symbol worshipped simply for existing with powers. 

What stands out most is how “Superman” balances its tone. There’s a healthy dose of cheesiness woven into its heart, but it’s not indulgent. 

The movie blends genuine emotional beats with just enough levity to keep things feeling fun without ever veering into parody. That blend pays off especially well in the dynamic between Clark and Lois Lane. 

Rachel Brosnahan plays Lois with intelligence, strength, determination, and a certain softness, and her chemistry with Corenswet is unmistakably natural. Their scenes feel personal rather than performative, like moments between two people who truly know each other. 

Krypto the Superdog deserves a shoutout, too, bringing consistent laughs. 

The film’s visual effects overall seem to be well thought out too, used with purpose rather than as a crutch. Stylized battles and vibrant comic book aesthetics lend the movie a look that’s equal parts nostalgic and new. 

The music also adds to the overall effect of the movie, providing solemn scenes, fun action-packed scenes akin to “Guardians of the Galaxy.” 

One of the film’s quiet triumphs is its cast. While it boasts several household names, many roles are played by rising stars whose performances bring fresh energy to the screen. 

It’s a mix that feels intentional, like the movie itself is passing the torch to a new generation, perhaps of heroes and audiences alike. 

Even the ensemble cast, sometimes a pitfall for superhero films, is impressively well-handled. Characters like Mr. Terrific, Hawkgirl, Green Lantern, and Metamorpho aren’t tossed in for fan service. They feel like real players in the story, true to their comic book roots. 

Mr. Terrific, in particular, stands out as a character who feels both adapted and authentic. 

While many superhero films use end-credit scenes to tease a shared universe or sequel bait, “Superman” takes a refreshingly different approach. Its two end credit scenes offer up some comedy, yet leave viewers wondering if this entry is a standalone gem, or the opening note in a new symphony.

“Superman” doesn’t ask its viewers to deconstruct mythology or decipher ambiguous plotlines. It just asks them to feel something. 

And in doing so, it becomes something rare: a superhero movie that’s not afraid to be sincere. In that sincerity, it finds something genuinely super.

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Oregon track and field women’s program named best in the nation

The University of Oregon’s women’s track and field team was selected on June 17 as the best program of 2024-25 by the U.S. Track and Field and Cross Country Coaches Association. The Ducks, who won the indoor NCAA national championship and won two of three Big Ten titles, were chosen based on points accumulated according to their final position in the cross-country, indoor and outdoor seasons. The award is Oregon’s first since 2019 and 11th in the women’s program history.

Oregon finished fifth overall in the cross-country season, where it won the Big Ten title and had three female athletes — Şilan Ayyildiz, Maddy Elmore and Anika Thompson — selected as All-Americans based on their top 40 times. Ayyildiz won the Big Ten race and finished 13th overall in the cross-country national final.

The indoor season was when the Ducks captured their first women’s national championship of any kind since 2017, when they swept the indoor and outdoor titles. In 2025, it wasn’t close. After winning the Big Ten indoor title, Oregon (55 points) outperformed second-place Georgia at the national meet by 16 points. First-place finishers are awarded 10 team points, with second receiving eight, third place receiving six and fourth receiving five, descending to eighth place (one point).

In Virginia Beach, the Ducks had just one individual champion — miler Wilma Nielsen, who finished in 4:32.40 with Ayyildiz in fourth place. Jaydn Mays finished second in both the 60-meter and 200-meter finals and Olympian Jaida Ross finished second in the shot put. The win was head coach Jerry Schumacher’s first of his Oregon tenure.

With the shift to the outdoor season came a change to the roster. Mays and Ross exhausted their eligibility with the indoor season, and the Ducks had to turn to a different set of faces for a charge at the championship. Klaudia Kazimierska, who missed much of the indoor season with an injury, returned to headline Oregon’s strong middle-distance group that also included Ayyildiz (the indoor and outdoor collegiate mile record-holder) and Mia Barnett. Before the Big Ten Championships, where the Ducks finished second behind USC, those three were all top-four 1500-meter runners in the conference.

Oregon didn’t have the same firepower at the NCAA Outdoor Championships, where it won just one event (Aaliyah McCormick in the 100-meter hurdles), finished fourth (Ayyildiz) and fifth (Kazimierska) in the 1500m final, and ended the meet 10th overall with a 23 point total. That finish, though, was enough to push the Ducks to the top of the women’s program standings: five points from cross-country, plus one point from the indoor season and 10 from outdoor gave them a 16-point total — six points better than second-place rivals Washington.

Next year is still up in the air for the Ducks — some athletes, like Ross and Kazimierska, turned professional following the season. Oregon is set to host the NCAA Outdoor National Championships at Hayward Field once again in June 2026 nonetheless.

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“Superman” Saves the Superhero Genre

Superhero movies have been a staple in theaters for the past decade. Most notably, ever since Marvel Studios launched the ambitious “Iron Man,” different film companies have started their own franchises. Sony has their share of iconic characters in the Spiderman universe. Warner Bros. Discovery acquired DC Films, which includes fan favorites such as Batman, Wonder Woman and Superman. However, compared to its peers, the DC Extended Universe had been struggling with consistency in narrative, quality and box office success. 

For many audiences today, superhero films are monotonous, formulaic and outdated. Because of the massive universe that Marvel has established, moviegoers have seen the maximized version of what these comic book adaptations can be. At its peak, they are just the right blend of quirky humor and a profound story. Marvel delivered this with “Avengers: Endgame” six years ago. As time went by, the prolific Marvel Studios started to fade. With flops such as “The Marvels” and “Ant-Man and the Wasp: Quantumania,” superhero movies were becoming a fad. 

Amid these developments, DC Films rebranded as DC Studios and released a trailer in December of 2024 for its beloved character, Superman. Fans were simultaneously excited and worried about this reboot. Will “Superman” be able to save DC and comic book movies as a whole, or would it be just another cash-grabbing attempt that sells out a popular character?

James Gunn is the director of “Superman.” He previously was the driving force behind Marvel’s “Guardians of the Galaxy,” a fan-favorite series. After parting ways with Marvel, he headed into rival territory to lead DC Studios. Gunn’s style seeps into this new “Superman.” Viewers of his work will know the use of iconic soundtracks to enhance action sequences. His use of vibrant colors in the film stays true to its comic book origins, a refreshing change to the muted color grading prevalent in modern movies. .

Not only is the cinematography brighter, but the movie is much lighter in tone compared to DC’s older Superman movies like “Man of Steel,” directed by Zack Snyder. Superman appears more human in Gunn’s world, and he cracks jokes as well as being subject to them. Hardcore fans may notice that Krypto, Superman’s canine companion, is also a part of the heroes. Krypto’s presence brings humor and playfulness to the story. 

In fact, a lot of the side characters contribute to the heart of the film. Gunn’s “Superman” crafts a world that feels real and lived-in. Normal citizens interact with the superheroes either by giving them a helping hand or working alongside them, which brings a certain charm to the film. “Superman” isn’t only about Superman himself, but also about the people around him that give him motivation to be a hero. 

In terms of casting, every actor is fitting for their role. David Corenswet delivers a convincing performance as the titular Superman, and Rachel Brosnahan plays a quick-witted, sharp-spoken Lois Lane. However, heroes wouldn’t be heroes without having to save their city from a villain. Lex Luthor, Superman’s arch-nemesis and corporate billionaire, is played by Nicholas Hoult. He has experience with superhero franchises with his appearance in the “X-Men” prequel movies. While he played a side character in “X-men”, Hoult’s interpretation of Lex Luthor takes full force in “Superman.” 

He’s not too serious, not too laughable — Lex Luthor walks the fine line between billionaire tech genius and Superman-obsessed freak under Hoult’s command. Corenswet and Brosnahan deserve praise for accurate portrayals of their comic book counterparts, but Nicholas Hoult pulls his character straight from the pages onto the screen. 

“Superman” definitely comes alive with the new film. It carries on the spirit of the original comics, painting him as a likeable, human character rather than an all-powerful god. It’s easy to take a character named Superman and want him to be a perfect, omnipotent being. However, Gunn’s “Superman” focuses more on the good inside the man. Superman is not perfect, and that’s the point. He is a genuine hero trying to help others instead of waging wars or displaying authority. Audiences don’t want to see yet another intergalactic battle, they want to see human emotions on screen.

To answer the question: Yes, “Superman” has flown into theaters to save the day.

The post “Superman” Saves the Superhero Genre appeared first on Technique.

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University’s operating deficit exceeds $200 million, layoffs to come

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University’s operating deficit exceeds $200 million, layoffs to come

The layoffs, among other measures, will address an increased deficit and potential losses of federal funding, wrote interim President Beong-Soo Kim in a statement.

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By ZACHARY WHALEN

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The outside of Bovard Auditorium.

Interim President Beong-Soo Kim wrote that he and members of the senior leadership team would meet with campus groups to receive feedback and questions regarding the upcoming changes. (Henry Kofman / Daily Trojan)

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USC will implement layoffs to “deal decisively with our financial challenges,” wrote interim President Beong-Soo Kim in a message to faculty and staff Monday afternoon. Kim wrote that the University ended the 2025 fiscal year with an operating budget deficit of over $200 million, an increase from the 2024 fiscal year’s operating budget deficit of $158 million. The statement named the “structural nature” of the deficit, along with poor financial performance from the health system, as contributors to the larger deficit.

A decrease in international student enrollment, as well as USC facing a potential $300 million loss in federally sponsored research funding, contributed to the decision to implement layoffs.

The statement read that USC plans to take additional steps to cut costs, “including selling unused properties, consolidating duplicative functions, and adjusting compensation for the most highly compensated members of our community.”


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These steps come in addition to measures announced in March, including a staff hiring freeze and continued budget reductions. On June 4, the University also announced its intent to sell the USC Peace Garden by June 30.

A website linked in the statement provides a suggestion box for students, staff, faculty and alumni to suggest ways for USC to combat its financial challenges, which will also include future updates from the University on budget developments.

Kim wrote that he and members of the senior leadership team would meet personally with the Academic Senate, the Staff Assembly and other community groups to receive feedback and questions regarding the upcoming changes.

“I know this is not the news we were hoping for, but by speaking forthrightly to you, I hope you will understand both the reality of our situation and the deep respect I have for every member of our Trojan Family,” Kim wrote

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Command Brand joins forces with Tay Nakamoto, Phoebe Gates & Sophia Kianni to help curate your college aesthetic like a pro

New podcast episode, “Sticking With Style,” inspires college students to decorate their spaces with confidence ST. PAUL, MINN. – JULY 14, 2025 – This Back to College season, Command™ Brand is taking dorm and other small space decorating to the next level with the launch of “Sticking With Style,” an original podcast episode hosted by […]

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Salt Lake Summer League – The Story Lines

 

The Utah Jazz and the University of Utah combined to host the Salt Lake City Summer League from July 5 to 8.

This round-robin tournament, featuring the Utah Jazz, Memphis Grizzlies, Philadelphia 76ers and Oklahoma City Thunder, had numerous local ties to the state and the U. A packed Jon M. Huntsman Center was the place to be, as basketball royalty filled the stands. Coaches, GMs, scouts, current players and former players gathered to watch the future of the NBA compete at the highest level.

While the NBA Summer League isn’t typically the go-to scale for determining how a young player will pan out in the league, it can provide information on how newcomers perform against higher levels of competition.

For the Jazz, these up-and-coming prospects provide a sense of excitement that has been missing for a handful of years. After drafting Ace Bailey, Walter Clayton Jr. and John Tonje, the buzz and hope around Salt Lake’s NBA team have been rejuvenated.

A 3-0 record in the tournament was a sign of positive development amongst the young core of players that GM Danny Ainge and head coach Will Hardy are hoping to build around. Final scores aren’t what the fans are after in the summer, however, so here is a dive into who balled and who stalled throughout this small sample size that the Summer League provides.

Established starters for the Jazz were left off the roster to open up playing time for those hoping to earn some minutes in the regular season. Because of this, the starting five for game one consisted of Brice Sensabaugh, Cody Williams, Bailey, Kyle Filipowski and Isaiah Collier. The five combined for 70 of the team’s 93 points. Sixth man, Clayton Jr. contributed nine points and six assists of his own in an impressive debut, propelling the Jazz over the Sixers, 93-89

After a relatively underwhelming game one for Bailey, the fifth overall draft pick bounced back with a strong stat line in game two, tallying 18 points, seven rebounds and three assists on 50% shooting. Bailey’s strong showing was paired with Sensabaugh’s 37-point outburst as the Jazz took game two over the Grizzlies, 112-111.

In game three, Bailey didn’t make an appearance due to right groin soreness. This opened up a starting spot for Clayton, as his 20 points led all scorers, and the Jazz took game three from the Thunder, 86-82.

Overall, Utah’s top players in the Summer League were Clayton, Sensabaugh and Filipowski. Bailey showed signs of promise in game two, but his precautionary injury restriction kept him from competing in a third matchup. The Jazz will undoubtedly be pleased with how the tournament went. Signs of improvement and promise are exactly what the rebuilding franchise is looking for as they gear up for the 2025-26 season.

The Jazz weren’t the only team that was represented over the weekend, however, as the Runnin’ Utes saw two former players compete on their old court. Lawson Lovering and Branden Carlson of the Grizzlies and Thunder, respectively, were listed on the rosters as big men hoping to earn impactful roles in the NBA.

Carlson didn’t log minutes in any games for the Thunder, but Lovering played a big role for the Grizzlies. The big man averaged 3.7 points and two rebounds per game while averaging over 13 minutes of playing time.

A successful Summer League has basketball fans in Utah excited for what’s to come in next year’s NBA season.

 

j.leone@dailyutahchronicle.com

@johnleone5.bsky.social

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Command Brand joins forces with Tay Nakamoto, Phoebe Gates & Sophia Kianni to help curate your college aesthetic like a pro

New podcast episode, “Sticking With Style,” inspires college students to decorate their spaces with confidence

ST. PAUL, MINN. – JULY 14, 2025 – This Back to College season, Command™ Brand is taking dorm and other small space decorating to the next level with the launch of “Sticking With Style,” an original podcast episode hosted by DIY expert and interior decorator Tay Nakamoto (AKA Tay BeepBoop), featuring special guests and co-hosts of “The Burnouts,” Phoebe Gates and Sophia Kianni.

From merging styles with roommates to changing up your space with new trends, “Sticking With Style” is packed with inspiration for college students to fearlessly stick their vision and change it up anytime.

“I’ve always believed that great design doesn’t have to be complicated – or permanent,” said Tay Nakamoto (AKA Tay BeepBoop), DIY expert and interior decorator. “That’s why I’ve partnered with Command Brand to share design tips with students headed back to campus, especially those looking to make their space feel like home on a budget, and without the hassle.”

“We know how important it is for your space to feel like you, especially when balancing classes, a social life and everything in between,” said Phoebe Gates and Sophia Kianni, co-hosts of “The Burnouts.” “With Command Products, you don’t have to compromise. Whether you’re creating a cozy corner for studying or styling your dream gallery wall, Command Brand upgrades your space without breaking the bank—or the rules.”

As College Students’ Most Trusted Brand for Damage-Free Hanging*, Command Products make it simple to bring your personality to life, then take it all down when the semester ends.

Command Products hold strongly on surfaces without screws and remove cleanly without consequence.

Must-have Command™ Products to grab this Back to College season include:

• Command™ Limited Edition Color Collection – Featuring five new shades like Watermelon and Candied Plum, this collection lets you color-match your mood and stand out from the crowd.
• Command™ 20 lb Picture Hanging Strips – Go bold with oversized wall art, mirrors or dry-erase boards that hold strong without holes or hassle.
• Command™ Folding Clothes Hanger – A space-saving essential that folds out to hold five hangers and folds back in when you’re done using it.
• Command™ Clear Mini Hooks – Great for hanging lights, vines or organizing cords—no tools needed.
• Command™ Poster Strips – Perfect for banners, posters, and signs with zero damage or residue.
• Command™ Decorative Double Hooks (Matte Black or Brushed Nickel) – Stylish meets functional with a sleek design that holds up to 4 lbs.
• Command™ Large Organizing Caddy – Create a makeshift vanity, stash toiletries, or organize tech accessories, no screws required. Holds up to 10lbs.

“Whether you’re decorating your first dorm or moving into a new apartment, Command Brand brings 30 years of innovation and clever products to make it happen,” said Tate Galvin, global vice president, Home Improvement, 3M. “Command Brand is all about empowering you to try something new and bring your unique style to life. We’re thrilled to partner with Tay, Phoebe and Sophia to share creative, real-world tips for making your space reflect you without the worry of damage.”

“Sticking With Style” is available to stream now on Command Brand’s YouTube channel (@command), Spotify and Apple Podcasts.

To explore the full product line and discover where to shop for dorm and apartment décor essentials, visit Command.com. Follow @Command on Instagram, Pinterest and TikTok for more Back to College inspiration, DIY hacks and behind-the-scenes content from Tay, Phoebe and Sophia.

About Command™ Brand

Command™ Brand exists to help you turn everyday spaces into places you love. We believe there’s excitement that comes from being able to try new things, and that nothing should hold you back from being brave enough to go after what you want in life. Command™ Products hold strongly on most surfaces even where screws and nails can’t to help empower you to create your own happy space.

About 3M

3M (NYSE: MMM) is focused on transforming industries around the world by applying science and creating innovative, customer-focused solutions. Our multi-disciplinary team is working to solve tough customer problems by leveraging diverse technology platforms, differentiated capabilities, global footprint, and operational excellence. Discover how 3M is shaping the future at 3M.com/news.

Media Contact

Tim Post
Tpost3@mmm.com

*Based on a 2023 Methodify survey of college students hanging and mounting product users.

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Five incoming Gophers drafted for the NHL

Five upcoming Gophers men’s hockey players have already been selected during the 2025 Upper Deck NHL Entry Draft. 

During the NHL Entry Draft, players are drafted by an NHL team, but they do not always immediately join the team after being drafted. In some cases, the players go back to their junior team, college or European league. 

This allows players to have the opportunity to continue developing their skills and playing style before joining the pros. While these five players were already drafted, they will still be seen playing at Mariucci Arena for the 2025-2026 season. 

The first of the future Gophers selected was Jacob Rombach. He was drafted 35th overall by the Nashville Predators. 

Rombach played two full seasons in the United States Hockey League. He appeared in 116 games over two years and ranked third on his team in total points with 18 last season. 

Rombach also helped Team USA win gold at the 2024 World Junior A Challenge. In high school, Rombach played for Spring Lake Park/Coon Rapids, where he finished with 19 points in 26 games as a sophomore. 

During the third round of the 2025 NHL Entry Draft, two more future Gophers were called. Mace’o Phillips went 80th by the Calgary Flames, and Mason Moe went 90th to join the New Jersey Devils. 

Phillips played with the USA Hockey National Team Development Program for two years. He played in 60 games with the U18s last season, where he scored six points. 

Phillips’ physical playing style led to him leading his team in penalty minutes both years he played for USNTDP. Phillips also helped Team USA win bronze at the 2025 International Ice Hockey Federation U18 World Championships. 

Prior to the IIHF World Championships, Phillips helped Team USA win gold in the 2024 U17 Five Nations Tournament. Phillips played prep hockey at Benilde-St. Margaret’s where he had 21 points in 27 games, his sophomore year. 

Moe played parts of two seasons with the Sioux Falls Stampede USHL. 

Moe totaled 63 games, scoring 17 goals and recording 26 assists for a total of 43 points during the 2024-2025 season. His strengths are seen offensively during power plays, where Moe was able to score 12 power-play points. 

Moe joined Rombach in helping Team USA win gold in the 2024 World Junior A Challenge. In high school, he played at Eden Prairie High School and led the team in scoring his sophomore year with 40 points in 27 games. 

The final two Gophers drafted were LJ Mooney in the fourth round, going 113th to the Montreal Canadiens and Jacob Kvasnicka in the seventh round, going 202nd to the New York Islanders. 

Much like Phillips, Mooney spent two years at the USNTDP and appeared in 112 games. During the 2024-2025 season, he made a total of 51 points in 51 games for the U18 team. 

He ranked fifth in scoring and finishing with several multi-point performances. Mooney also helped Team USA win bronze in the 2025 IIHF World Championships and gold in the 2024 U17 Five Nations Tournament.

Before joining the USNTDP, Mooney developed his skills through the Pittsburgh Penguins Elite AAA program from 2020 to 2023. 

Kvasnicka was also a part of the USNTDP from 2023 to 2025. 

He had a total of 39 points in 66 games, made up of 18 goals and 21 assists. He ranked sixth in his team in scoring and even scored five points in one game against Czechia. 

Kvasnicka helped represent Team USA in the IIHF 2025 World Championship and scored five points in seven games. 

He played for Wayzata High School and, as a freshman, had a total of 45 points in 28 games. He helped his team reach the Section 6AA title game. 

These five Gophers will be seen on the ice at the start of the 2025-2026 season on October 3 and 4.

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Roadless Rule Cut Fuels Fire Risk

 

As summer reaches its peak, the wildfire season is blazing across the West. On June 19, the Forsyth Fire raged through Dixie National Forest in Southern Utah, posing yet another threat to the state’s vulnerable landscapes.

At the same time, experts warn that the danger could escalate further if key federal protections are rolled back. One of those measures in particular — the Roadless Area Conservation rule — may soon be on the chopping block.

Roadless Rule

In 2001, the United States Forest Service established the Roadless Rule, a policy that prohibits road construction and harvesting resources in national forests. It conserves almost 59 million acres of land across the United States.

At the annual Western Governors Association meeting in New Mexico on June 23, the U.S. Department of Agriculture Secretary Brooke L. Rollins announced the Trump Administration‘s hope to get rid of the policy.

If this rule is successfully repealed, millions of acres of land will be eligible for road building and logging. This land includes almost 60% of Utah’s forest service land.

Utah Gov. Spencer Cox, who was in attendance at the Western Governors Association meeting, supported Sec. Rollins’ announcement.

“UDSA is ending the burdensome Roadless Rule – a 25-year obstacle to responsible forest management,” Cox said in a statement on X. “That’s a huge win for wildfire prevention and the health of our lands.”

In the United States Department of Agriculture’s press release of the event, Gov. Cox explains that the Roadless Rule has blocked the government from accessing millions of acres of forest. Removing this rule, he said, will be a “critical step” toward healing Utah’s forests.

Public Opinion

While Utah’s governor described the removal of the Roadless Rule as a positive step, many disagree.

The Center for Western Priorities, a nonpartisan conservation organization, released a statement regarding the ramifications of the policy revocation.

“It’s ridiculous for Secretary Rollins to spin this as a move that will reduce wildfire risk or improve recreation,” the organization’s Policy Director Rachael Hamby said. “Commercial logging exacerbates climate change, increasing the intensity of wildfires.”

She described the repeal as an “attack” on public lands and Western communities.

“This is nothing more than a massive giveaway to timber companies at the expense of every American and the forests that belong to all of us,” Hamby said.

A study conducted by Sean Healey, a researcher at the Rocky Mountain Research Station, confirms that the roadless forest areas do not burn any differently than areas with roads. This contrasts Sec. Rollins claims that the rescinding of the Roadless Rule will help prevent wildfires and increase environmental integrity.

Implications

In an interview with the Salt Lake Tribune, University of Oregon professor James Johnston explained how more roads could potentially lead to more wildfires.

“It’s easier to corral fires when there’s a road system to facilitate direct attack with hand crews and bulldozers,” he said, referencing his 2021 study about wildfire frequency.

Furthermore, the repeal could also affect the national budget. The USDA reported that disbanding the policy could create a 25% decrease in economic development in the forestry sector.

Despite this, Cultural Landscapes Director for Grand Canyon Trust Tim Peterson raised concerns about road construction and maintenance costs.

“Road building is so expensive, and the forest service already has a maintenance backlog,” Peterson said to the Utah News Dispatch. “We can’t even maintain the roads that we have, let alone build new roads.”

 

t.sorensen@dailyutahchronicle.com

@teannajsorensen.bsky.social

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