Look back at our live coverage.

Apart from the distinctive palm tree-lined mountains and watercolor sunsets, the Coachella Valley Music and Arts Festival brought a weekend’s worth of beauty in the form of sound and vision.

“My favorite part about the festival is how much visual eye candy there is everywhere,” said Chris Turino, a senior majoring in communication at USC, in giddy anticipation of Girl Ultra’s Sonora tent set Saturday. “I forget that Coachella is also for art installations.”

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Between sets, attendees stopped to marvel at and take photos in front of the festival’s large-scale installations, which also served a critical role in shading the open, arid Empire Polo Club grounds. From NEWSUBSTANCE’s rainbow-colored “Spectra” structure to Nebbia’s “Babylon,” a brutalist-cubist mountain of polygons, there was no shortage of visual splendor at the United States’ largest music festival.

Teeming with charisma, internet princesses Reneé Rapp and Victoria Monét charmed Sunday afternoon stages with astounding vocal runs and suave magnetism. The two dished out rock-fueled renditions of the tracks that sparked their rise to TikTok royalty, such as Rapp’s “Not My Fault” and Monét’s “On My Mama.” Rapp and Monét have built careers off their integrity, steadfast in their commitment to unapologetic self-expression.  

Oh-so-gay in true Rapp fashion, the lesbian icon and “Mean Girls” alum delivered an enthralling performance, joined on stage by a giant pair of interlocking scissors. Monét very well could be Beyoncé’s second coming; she captivated the crowd in a hip-hugging body suit, with lusciously fan-blown curls and impeccable choreography to match her impressive vocal prowess. Rapp and Monét appear to have been blessed with some innate charm, two of a certain breed of musician that makes commanding crowds of thousands look like light work. 

Tyler, the Creator was a true musical messiah, with some willing to trek thousands of miles for the chance to witness his glory in the flesh. Never one to shy away from exploring the various facets of his creativity, Tyler has built a repertoire of alternate persona that culminated in Saturday’s performance with a career-spanning setlist. The “See You Again” singer brought Yosemite to Indio with elaborately designed staging and a quintessentially Tyler introduction that saw him exploding out of the side of a camper van dressed as a park ranger. 

Doja Cat closed the festival with each dance number more risque than the next: from simulating sex positions to sapphic mud wrestling. Doja’s characteristic lasciviousness seduced Coachella’s Sunday night crowd, her siren song luring in listeners with a contagious confidence, obscuring the embroiled controversy of their source. This lies at the root of Doja Cat’s popularity: her music so informed by her own self-assurance that it has the power to elicit that kind of feeling in others.