Occasionally, the phrase “college town” is synonymous with “cultural diversity” — and the University of Oregon is no exception. But according to Andiel Brown, the director of UO’s Gospel Choirs and Ensembles, this isn’t entirely true, and more can be done to diversify. Thursday and Saturday of this week both offer a chance to do so, set to the pounding of Afro-Cuban style drumming.
“I thought we needed something like this to open our eyes to the beauties of other people and other cultures,” Brown said. “What better way to do that than through music and dance?”
This something is actually plural, a public lecture entitled “Culture and Dance of Afro-Cuba” happening this Thursday and a series of hands-on Afro-Cuban dance workshops on Saturday highlighting the unique rhythms and movements of the Caribbean island nation.
“This is something that has never been done at any Oregon university and we have the amazing opportunity to be the first of potentially many fun, educational and culturally diversifying events within the higher education system in the great state of Oregon,” Brown said.
With support from the UO Office of International Affairs, the Center for Latino/a and Latin American Studies, the African Studies and Anthropology departments and Brown, this opportunity is a reality.
“We may not all be in a position to hop onto a plane to Havana just at this moment, but we can soak in some of the feel and meaningfulness of the place by experiencing the culture when it comes to us,” said Dennis Galvan, of the UO Office of International Affairs . ”We’re lucky to have colleagues like Professor Andiel Brown who bring the live, warm arts of places like Cuba to our special — and right now, slightly damp and chilly— corner of the planet.”
To headline the events Brown corralled Kati Hernandez, an Afro-Cuban dance instructor he met two years ago at a salsa festival in San Francisco, and Miguel Bernal, who — according to his own website — was a master Afro-Cuban percussionist for 20 years for the Cuban folkloric dance company “Raices Profundas.”
Participants will get a full dose of a distinct culture — and a workout, too. Afro-Cuban dance is a unique mixture of movements and rhythms incorporating the multitudes of influences that shape Afro-Cuban culture.
A diverse collection of people populate Cuba, and, according to Brown, this makes defining elements of it complex.
“Afro-Cuban is a general blanket statement for all of these different Afro-ethnic groups represented in the melting pot that is Cuba,” Brown said. “Dances like Salsa, Cha-cha and Cabaret have roots in Afro-Cuban dance motions. Most people think of folkloric dances, rumba and more aggressive warrior dances when they hear this word but it should not be limited to just these.”
The free public lecture this Thursday takes place at 7 p.m. at the Beall Concert Hall. The workshops run this Saturday from noon to 4 p.m. at the Dougherty Dance Theatre, and span three separate clinics: Afro-Cuban folkloric dance, rumba with folkloric movements and Casino (Cuban salsa dance). Admission is $12 per session(or $30 for all three) or $6 each (or $15 for all three) for students with a valid university ID card.