Author Archives | Rachel Alexander

Circuit Letter from the Editor

Editor-in-Chief Rachel Alexander. Photo by Susie Krikava.

Editor-in-Chief Rachel Alexander. Photo by Susie Krikava.

I’ve sat down to write this letter half a dozen times, but it’s always seemed like an impossible task. My predecessors, sitting where I am today, have reflected elegantly on their time at Whitman and spoken about how much running The Pioneer and producing The Circuit have shaped their college experiences. These sentiments are no less true for me—without a doubt, The Pio has been the defining aspect of my college life. During my time here, I’ve gotten to interview the likes of Dan Savage and Rigoberta Menchú, received a national college journalism award and used my experience to get a real job at a daily newspaper. I’ve also had days where work kept me busy from 7 a.m. until midnight, nights spent curled up in a ball crying from sheer exhaustion and weeks where I relied on the promise of hugs and home-cooked meals from my friends to find the strength to get out of bed.

At Whitman as in the rest of the world, people with long lists of impressive accomplishments or leadership titles are held up as examples. But if there’s one thing my work on this campus has taught me, it’s that we’re only as good as the community that holds us up. During my time here, friends, classmates, professors and colleagues have supported me in more ways than I can count, by listening, caring, distracting, feeding, encouraging and inspiring. And while my experiences aren’t universal, I’m willing to bet that all leaders on this campus, whether they’re running ASWC, editing a publication or doing groundbreaking research, have only been able to achieve what they have with the love and support of others.

Support work isn’t often acknowledged. It doesn’t raise your GPA and it can’t be put on a resume, but it’s absolutely vital for the structural integrity of a campus built on achievement. I’m immensely grateful to everyone who has allowed me to accomplish what I have while at Whitman, and I hope that someday, we can recognize how many friends cooking dinner or offering a shoulder to cry on are contained within a groundbreaking newspaper article.

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Guide to Summer in Walla Walla

Illustration by Kelsey Lund

Illustration by Kelsey Lund

Come June, the Whitman campus can start to look a bit deserted. However, as anyone who’s stayed on campus over a break can attest, Walla Walla doesn’t actually shut down just because Whitman’s not in session. If you’re a grad who’s sticking around for a few months, or a student who has summer plans in Walla Walla, don’t fear: There’s plenty to do once classes let out. Here are our picks for having a fun-filled summer, with or without a car.


Arts & Music

If you’re a music lover, the Downtown Walla Walla Foundation hosts a summer concert series every Saturday and Sunday from 4-7 p.m. at the Land Title Plaza on 1st and Main. Sure, it’s not Sasquatch, but you can listen to local bands and enjoy the cooler summer evenings, all for free. A listing of concerts can be found at the Foundation’s website, downtownwallawalla.com.

Summer blockbusters are always fun, but if you want something a bit different, try checking out a live show or indie film. The Liberty Theater in Dayton brings in a mix of current movies and more obscure indie and foreign films, with a different movie screening each week, listed on their website. It’s about half an hour east on Highway 12—the highway will turn into Main Street once you get into Dayton, and the theater is on the right just across from the courthouse.

You can also check out live theater within walking distance of campus. The Little Theatre is hosting “The Foreigner,” a play involving the unlikely escapades of two strangers who meet in a rural Georgia fishing lodge. Shows run May 31-June 15. If you’d rather hear music, the Powerhouse Theatre is bringing the IV Tenors in to sing hits from Broadway, country, classical, pop and rock from May 30-June 9. Tickets can be ordered via their website and are available for as little as $12.

 

Recreation & Sports

Fans of watching people crash into each other have a lot to look forward to this summer. Walla Walla’s own rollergirls, the Sweets, will have two home bouts on June 1 and 29. Tickets are available on their website, wallawallasweetsrollergirls.com, and can be purchased at the door. If women on roller skates isn’t your thing, the county fairgrounds is also hosting a demolition derby Sunday, June 9 at 1 p.m. You can check out the other special events on the Walla Walla Fairgrounds website. (There’s a goat tying clinic in late July you won’t want to miss.)

If you’re a baseball fan (or have ever thought of becoming one), the Walla Walla Sweets will be playing home games all summer. Tickets are a steal—$8 if you preorder online or $9 at the game. Casual fans of the sport might appreciate the annual Battle of the Badges, where Walla Walla’s police and fire departments face off to earn money for charity. The event takes place Saturday, June 1 with the first pitch scheduled for 7:05 p.m. Tickets can be purchased from the police station, the fire department or the Sweets shop on Main St.

Of course, you can always get involved in your own athletic activities. Walla Walla’s Parks and Recreation department offers a variety of programs throughout the summer, including adult sports leagues. Check out the city’s website and head to Parks and Recreation for a full course catalog, including art and ukelele classes and opportunities to coach or referee youth soccer.

The area around Walla Walla is also home to world-class hiking opportunities. Whitman’s Outdoor Program Rental Shop will be open during the summer and offers gear, as well as plenty of hiking maps and guidebooks to help you select the perfect hike. For a day hike, try Juniper Canyon. To get there, head west on Highway 12, continue into Oregon on Highway 730/395 and look for the canyon across the road to your left. The Wenaha-Tucannon Wilderness, just past Dayton, has many day hike options as well. If you’re up for a longer weekend or have more time to spend driving, be sure to check out Wallowa-Whitman National Forest. It’s about a three-hour drive, but worth it for the gorgeous scenery and chance to check out the towns of Joseph and Enterprise. 

Other suggestions

These are jut a few special events, but there’s plenty more happening here during the summer. If you’re short on ideas, you can grab a free copy of the Union-Bulletin downstairs in Reid. There’s a daily events calendar, and the Thursday paper includes a Marquee section with listings for the entire week. There’s also a summer listserv for Whitman students sticking around for the summer, which people use to plan events and find other to carpool or hang out with. It’s summerwhitties2013@lists.whitman.edu, so email summer2013-subscribe@lists.whitman.edu to be added to it. Finally, The Pioneer has a guide section on our website with listings for hikes, suggestions for traveling to nearby towns and other ideas for entertainment around campus. Check it out at whitmanpioneer.com/category/guide-2.

 

 

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Director of Forensics Jim Hanson Steps Down

After coaching debate for 20 years, Director of Forensics Jim Hanson announced Monday that he would be stepping down in order to take a full-time position as Chair of the Department of Rhetoric. Debate team members and alumni have expressed shock, disappointment and frustration with the decision, which many feel will seriously damage the debate program.

Junior Sean Mulloy, a current member of the debate team, said no real reason has been given for the sudden change, prompting many team members to question the reasons behind it.

“Many members of the team feel very frustrated and disillusioned with this sudden announcement,” said Mulloy. “We have no idea [why he’s stepping down]. The administration has told us that for privacy reasons, they cannot comment. I think it’s only fair that some sort of justification be given to us.”

Hanson declined to give a reason for his departure from debate when contacted by The Pioneer, and referred back to his email to the team, which states, “Given the recent creation of a new Department of Rhetoric Studies and my role as chair in building this program from the ground up, I will be stepping aside from my debate responsibilities in order to devote my full time and attention to this new effort.” He would neither confirm nor deny that his decision to step down was entirely voluntary and had no further comment on that topic.

“I’m hoping that the program will move forward and they’ll hire a good director and the program will maintain its quality,” said Hanson.

President George Bridges was unable to comment specifically on the reasons for the change due to federal laws and college policies which keep personnel issues confidential.

Associate Dean of Students Clare Carson also declined to give specific details about the reasons for the change.

“There’s a lot of speculation and false rumors going around. I think they should respect what Jim said and go with that,” she said.

Carson said that the new director of forensics position would be full-time, allowing the college to focus more resources on debate. Hanson currently splits a full-time position between the debate team and the Department of Rhetoric.

Still, debaters are frustrated by what they perceive as a lack of clarity and transparency in the change. A “Support Jim Hanson” Facebook group created by alumni had 249 members as of press time, and several alumni have contacted the college, as well as The Pioneer, to express their support for Hanson and the debate program, and their disappointment with the sudden change of coach. A group of 28 debate alumni also wrote an open letter on Wednesday to the Board of Trustees and members of the administration expressing their disappointment for the way the decision has been handled. A full PDF of the letter can be viewed at the bottom of this article.

Alumnus Kristofer Peterson ’97, who was on the debate team for four years, said he will be withdrawing $5000 of planned gifts to the college in response to the decision, as well as cutting off contact with the alumni association if the matter is not resolved.

“I think it is not a voluntary decision because knowing Jim as I do, he would have insisted on a transition period,” said Peterson. Peterson served as a judge for one of the team’s tournaments earlier this spring and said he spoke to Hanson, who was making plans for next season at the time.

Peterson and Mulloy were both disappointed by the lack of student involvement or consultation in the decision prior to Monday’s announcement. The last switch in debate coach, from Bob Withycombe to Hanson, included a transition year from 1993-94 before Hanson took over. Peterson felt that the current time frame left the college almost no chance of finding a coach as accomplished in both parliamentary and policy debate.

“The pool for his successor is very limited. I don’t think the college is going to be able to find someone of his caliber,” said Peterson.

Whitman’s parliamentary team has been ranked first in the country by the National Parliamentary Debate Association for four years in a row. In part due to this success, the team enjoys generous alumni support, including three endowments and funds specifically dedicated to the team. Debate alumni expressed concern in their letter that mismanagement of the team could cause this funding to dry up.

Vice President for Development and College Relations John Bogley said he was concerned about alumni support, but viewed their concerns as a chance to move forward.

“The opportunity is in trying to engage them in moving forward in a way that shows the college’s continued support for the success of the debate team,” he said.

As a result of Hanson’s change of position, the Whitman National Debate Institute, a summer program for high school students which is taught by Whitman debaters, will not be held this summer. Carson said the college is working to find alternate employment for students who were slated to teach over the summer.

Bridges, Dean of Students Chuck Cleveland, Carson and Provost and Dean of Faculty Tim Kaufman-Osborn are planning to meet with debate students on Wednesday, May 8 to address their concerns and discuss moving forward for the team.

The Pioneer will publish more information as it becomes available.

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Final Letter from the Editor

This issue of The Pioneer will be the 91st and final issue I’ve worked on during my time at Whitman. I’ve saved my personal reflections for our graduation magazine, issue 7 of The Circuit. For now, I want to acknowledge everyone who has helped make this year challenging, fun and full of high-quality journalism.

First, I have to thank production manager Sean McNulty, for his willingness to step into the hardest job on the paper last-minute and his dedication to improving the quality of design, issue after issue. His willingness to collaborate on last-minute infographics has made our front page truly standout. I also owe so much to fall managing editor Libby Arnosti, who kept work fun and editors engaged during stressful and at times exhausting nights of layout.

Each and every one of my section editors has helped the paper build on its success and innovate this year. I’m grateful to News Editor Emily Lin-Jones for her leadership in the newsroom and her inspiring reporting skills; Karah Kemmerly for her high standards; A&E Editor Aleida Fernandez for her creativity and vision; Sports Editor Tristan Gavin for his quality writing; Feature Editor Adam Brayton for his popcorn skills and levity; Opinion Editor Alex Brott for his attention to detail and Backpage Editor Kyle Seasly for keeping things light around the newsroom. Photo Editor Marie von Hafften has taken her staff to amazing levels and mentored an incredible group of talented artists, and Illustration Editor Julie Peterson has shown gusto and cheer in even the most last-minute of infographic brainstorming sessions.

I’m also deeply indebted to Chief Copy Editor Marisa Ikert for catching so many of our late-night mistakes before they went to print, Webmaster Ben Schaefer for his interest in helping the website and the paper grow, Web Editor Blair Hanley Frank for having my back on all occasions, Advertising Manager Hannah Bauer for bringing a refreshing dose of sass and Italian sodas to production night and Business Manager Vincent Peterson for making sure I never had to deal with the U.S. Postal Service.

Finally, I have to acknowledge Web Content Editor and next year’s Editor-in-Chief Shelly Le. Shelly, you’ve been such a reliable, helpful presence on the paper for all the years we’ve worked together, and your love of The Pio and care for its continued success is inspiring to watch. I can’t wait to see what you and everyone else do next year.

And to everyone else in the Whitman community: Thank you for allowing me to have the most rewarding, challenging and educational experience of my life in our newsroom.

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Visualizing the ASWC budget

Since ASWC released a preliminary budget on Sunday, there has been a lot of discussion on campus about the budgeting process. Many readers have commented on the information we’ve provided detailing cuts in the yearbook and other campus organizations, asking questions about how ASWC decides budgeting and why some groups had their funding cut significantly from what they were allocated this year.

Currently, several of our reporters and editors are teaming up to create a series of infographics and text better explaining the budgeting process and answering some of the questions that have been raised. We will have comprehensive data online by Thursday morning, as well as an article with updates on budget appeals and yearbook funding.

Based on the comments we’ve received on our site, the conversations our editors have had with fellow students and the comments discussing budgeting on whitmanencounters.com, our coverage will be focused on addressing the following questions:

1. Where did all the money go for this year, and why was it allocated the way it was?

2. What is the Lifecycle Fund, and why did it need a significant chunk of this year’s budget?

3. Which clubs have been granted rollover funding for next year from unused portions of their budgets from this year?

4. What is the travel and student development fund, and how is it funded? What has it been used for in the past few years, and which clubs, groups or organizations have benefitted the most from funding?

5. What is the context for yearbook funding? How much money have they received in the past, what is it spent on, and what has been requested for next year?

6. What does the budgeting process look like? Where does it stand now, and what decisions have not been made yet?

We hope that by providing data and context to answer these questions, we can help clarify the budgeting process for the student body and organize the large amount of data we’ve received from ASWC in a useful way. If you have other issues you’d like us to address or data you’d like us to track down, feel free to comment or drop us a line at editors@whitmanpioneer.com.

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Notes on the Pio’s budgeting process

In response to student concerns about ASWC’s preliminary budget for the 2013-14 school year, and specifically about the amount of funding given to The Pioneer, I would like to clarify several things about the budgeting process for The Pioneer and provide the campus with more information about how we use our funds.

First, a note on the budgeting process for The PioneerEvery other club and campus media organization which receives ASWC funding is required to submit a budget request form to the Finance Committee which includes information on how they will use their money. Based on these requests, the Finance Committee makes a preliminary budget, which can be appealed before it is ultimately approved by the ASWC Senate.

The Pioneer is exempt from this process, and written into ASWC bylaws as receiving a fixed 9 percent of all student fees collected. The reason for this is simple: as an independent media organization, we are responsible for covering ASWC. We would not be able to do this job effectively if ASWC were able to cut funding for The Pioneer arbitrarily from year to year. Writing The Pioneer into ASWC bylaws ensures that we maintain editorial independence and allows us to write about student concerns or complaints about ASWC (for example) without fear that we will suffer financially as a result.

In the 2013-14 preliminary ASWC budgetThe Pioneer was granted a total of $46,147. This is an increase from our allocation for the 2012-13 school year, which was $44,755 for the simple reason that the student fee was increased slightly.

I recognize that receiving more money when several organizations or clubs had funding cut seems unfair to some students. However, there is no easy way to discretionarily cut small amounts of money from The Pioneer‘s budget without changing the fundamental fact that our budget is guaranteed in ASWC bylaws in order to allow us to maintain editorial independence.

This document contains some information for students who have raised questions about how The Pioneer spends its money on campus. It is not a complete account of all of our costs and income for the year, both because some of those numbers are still unknown, and because I have elected to protect the privacy of members of my staff by not posting their stipend amounts on an individual level. While this spreadsheet is an oversimplification of our budget, it provides an accurate picture of where most of our money is spent. The bulks of our costs are in payroll (56 percent) and printing (26 percent).

While printing represents a significant chunk of our costs, it is also a large source of revenue for us. Our printing costs for the regular weekly paper are $14,600 for this academic year. Over the course of that time, we have earned almost $9000 in print advertising revenue, and will likely earn several thousand more before the end of the year. In past years, this number has been as high as $16,000. Eliminating our print paper in favor of an online edition would simply not create large cost savings, due to the simple fact that our major source of non-ASWC revenue is print advertising. In addition, reader surveys this year have indicated that the vast majority of our campus readership is online, including about two-thirds of students who read The Pioneer, and three-quarters of faculty.

In total, The Pioneer currently has 17 individual students, not including myself, working in stipended editorial positions. Most of these students work approximately 10 hours per week for the paper, though several work upwards of 20 hours per week. Our median editorial stipend is $450 per semester. Our total paid staff is about 70 individuals.

I chose to present this information because I am proud of the work The Pioneer and its staff are doing, and I believe we work hard to earn this funding.  As a journalist, I also believe in transparency, and feel that students have a right to know how their student fees are being spent. I hope this information has aided the campus in its understanding of The Pioneer, and I welcome further discussion about how we can improve our work for the Whitman community.

Editors’ note, April 3, 2013, 8:59 p.m. This post has been updated to reflect the amount of money the Pioneer earns from print advertising.

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Preliminary 2014 ASWC Budget Slashes Yearbook, Greekend Funding

Update: A more comprehensive article summarizing the current debate over funding the yearbook and discussion from ASWC Senate on Sunday, March 31 can be found here.
ASWC has released a preliminary budget for fiscal year 2014, which includes substantial cuts to Waiilatpu (the Whitman yearbook) and the Greekend Committee.

Waiilatpu requested $7,383 in funding and received $150, 2.03 percent of their request for this year. The yearbook was resurrected during the 2010-11 school year after Whitman went several decades without having a yearbook. Waiilatpu has annually received between $13,000 and $15,000 in ASWC funding every year for the past three years.

The Greekend Committee, which plans and organizes Greekend, requested $2,070 and received only $150. Last year, Greekend was granted $1,130.

The ASWC Green Fund was also cut 60 percent, from $1000 in FY 2013 to $400 in FY 2014.

Other groups which received less than 50 percent of their requested funding and less then 50 percent of their grant from FY 2013 are: Campus Climate Challenge, Slam Poetry, Social Dance Club and Whitman Direct Action. The complete preliminary budget can be viewed as a spreadsheet here.

These budget numbers have not been finalized, and groups may appeal funding amounts at special finance committee meetings on Wednesday, April 3 and Wednesday, April 10 at 8:30 p.m in Reid 210, the ASWC office. A total of $15,000 has been set aside for groups to appeal funding.


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Letter to the Editor, Jack Issue version

To the editor,

This piece was so obtuse that it came across as nothing more than a writer learning that he or she can write the word “penis” in print and not get in trouble. Once taught that belief, one repeats it. I do not believe it. In fact, I believe quite the opposite.

If that was the choice of the people who participated with the reporter, fine. If it was not, it is not at all fine.

You, as an editor of The Pioneer, do not understand it as a publication that serves the Whitman community as a whole, but as an organ devoted to the interests of its readership as defined by your understanding of the student body. It is not a newspaper. It is an advocacy publication presenting itself as a newspaper. Just like Fox News.

In short, we are disappointed and disgusted by your article. The article and remaining papers should be recalled. Do remember that although journalistic dishonesty is not under the purview of the school, academic dishonesty is.

Cheers,

the Whitman campus

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The Regrets List

The Pioneer regrets that, after a weekend-long convention focused on the importance of social media and breaking news, the Associated Collegiate Press failed to publish a list of award winners until Tuesday morning after the convention, thus making the entire staff wait with anticipation to confirm that we won more trophies.

The Pioneer also regrets the amount of time it takes the Associated Collegiate Press to mail your trophies to you if you’re unable to stay for the convention awards ceremony. Just because we live in the middle of nowhere doesn’t mean we don’t need trophies for secret transfer-of-power rituals involving tequila.

Editor-in-Chief Rachel Alexander regrets that, due to her conflicted loyalties, this year was the first in four years in which The Pioneer did not have school bond election results online before the Walla Walla Union-Bulletin. She does not regret the fact that her job at the Union-Bulletin pays an hourly wage.

Rachel also regrets that vehicles owned by members of The Pioneer‘s staff appear to be incapable of going on a trip without breaking down.

Sports Editor Tristan Gavin regrets that, in spite of his charming smile, his headshot and bio on the staff page of the Pio‘s website has yet to garner him a single date.

Web Editor Blair Hanley Frank regrets the continued popularity of the “Take it Slow While Dating Chinese Girls” column among the Pio website’s traffic from Google, as it keeps bumping current issue articles out of the popular posts list.

Backpage Editor Kyle Seasly and photographer Faith Bernstein regret the editorial decision not to publish the entirety of junior Molly Simonson’s naked ass on the Backpage for the “Top 5 Places to Poop on Campus” article. Rachel regrets being such a killjoy, though she maintains that the angry emails would not have been worth it. Probably.

News Editor Karah Kemmerly regrets that she has lost her wit. More specifically, she regrets that she has been usurped by the likes of Web Editor Blair Hanley Frank on the Pioneer staff quote board.

Sex columnist Spencer Wharton regrets applying to the single position most likely to look suspicious when dating the editor-in-chief.

Web Content Editor Shelly Le regrets that editing Spencer’s Sexcetera column has opened a new world for her.

ASWC President Kayvon Behroozian regrets consuming one of Rachel’s chocolate chip cookies that one time she brought them to the Phi house over the summer, as they have now become an all-consuming obsession in his life, and she still won’t give him the recipe.

The Pioneer‘s production and editorial staff regrets that Production Manager Sean McNulty’s music would be better suited to accompany the birth of a whale than to inspire staff productivity on production night.

The Pioneer‘s editorial and production staff regret that our list of regrets is compromised by the lack of inside jokes on staff this year. They do not regret that finishing production before midnight every week this semester has resulted in less time to create inside jokes.

Rachel and News Editor Emily Lin-Jones regret that it took Whitman’s Department of Communications over a month to publish the fact that they won national college journalism awards. They do not regret writing about the problems with Whitman’s approach to racial diversity or its handling of sexual assault cases, even if said articles portrayed the college in a less-than-flattering light.

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Five generations of wheat

The Hutchens farm, just outside of Dayton, Wash.

The Hutchens farm, just outside of Dayton, Wash.

“You want to know how farming has changed? Come here.”

Bob Hutchens motions for me to follow him into a large, grayish-blue shed that sits on his wheat farm just outside of Dayton, Wash. The ground is littered with wood shavings and other detritus which gives the impression that serious work happens inside.

Bob opens a door and takes me into a gigantic room which seems tiny, because almost every square inch of it is filled with a massive tractor.

“Climb on up there,” he directs, gesturing to the small metal steps leading up to the tractor cab. I comply, walking 10 or so vertical feet, and he follows, telling me to sit down. Inside the cab, he shows me a GPS and a screen which allows you to digitally control everything from the amount of fertilizer spread over the field to the route the tractor drives. You can fully automate the planting and harvesting of an entire wheat farm from inside the air-conditioned tractor cab. It’s a state-of-the-art machine which costs tens of thousands of dollars new. This, Bob tells me, is what modern wheat farming looks like.

* * *

A windmill site outside the Eastern Washington Agricultural Museum in Garfield County.

A windmill site outside the Eastern Washington Agricultural Museum in Garfield County.

About 30 miles east of the Hutchens’ farm, two nondescript red buildings, built to look like barns, sit on the fairgrounds outside of Pomeroy, Wash. Pomeroy is both the county seat and the only town in Garfield County, which has the honor of being the least populous county in Washington State (population 2,266 as of the 2010 census). The county is home to about 200 farms, the majority of which grow wheat and are individual or family-owned. It’s a fitting place for the Eastern Washington Agricultural Museum, which has recently expanded into its second building.

Upon getting out of my car I am immediately greeted by David Ruark, who acts as secretary and treasurer for the museum. He’s thrilled that I’ve come all the way from Walla Walla, 66 miles down the road, to have him show me around. The museum’s president, Jay Franks, is my other tour guide, and the two of them are passionate about preserving the history of agriculture in the region.

Jay tells me that some people in the county were a bit skeptical when the museum first got started: “Some people said it was an idea for a place for some guys to put their tractors,” he laughs.

Inside the museum’s main building, there’s an impressive and diverse assortment of equipment. As expected, an old tractor, as well as a massive combine built in the 1930s, take up a good chunk of the room. But it’s not all farming equipment: A collection of horseshoes hangs on one wall, and there’s a replica of a farmhouse kitchen, complete with a wooden stove, an old washing machine and even a jar of marbles in the cabinet. Everything works by hand, it seems—the sewing machine, the vacuum, the washboard. There’s a model of an old tractor being hauled by a team of 34 horses.

David and Jay are eager to show me everything in the building, especially once I confess that I’m originally from Seattle, a city slicker still learning her way around wheat farming country. David leads me to the table of mystery artifacts, taking great delight every time his “What do you suppose this does?” is met with a look of strained confusion from me.

The county, the two of them explain to me, used to have a tram for hauling wheat from the road down to the river, where it was shipped out by barge. It ran without power, just the weight of the grain pulling full buckets down to the river and empty ones back up. Like most of the things in the museum, the tram has been replaced by a more efficient, modern and mechanical system. Jay tells me it’s important to remember this history.

Cattle brands and other ranching tools cover a table at the Eastern Washington Agricultural Museum.

Cattle brands and other ranching tools cover a table at the Eastern Washington Agricultural Museum.

“It’s kind of going by the wayside,” he says, shaking his head just a little. The museum is run by volunteers, and many of them are old enough to remember the days when horses pulled tractors and soil was tilled more or less by hand. Jay says they’ve been trying to videotape older members of the community telling stories or sharing information about how to use equipment so the knowledge doesn’t die out with that generation. He hopes the museum can be at once an archive and a form of living memory, that in the absence of elders, some measure of farming spirit and a love of hard work can be passed on to whatever segment of the younger generation is willing to learn their way around a tractor. But I see worry in his eyes as he tells me what every farmer of a certain generation knows: that the average age of the American farmer is rising, that fewer and fewer children are coming back to make a home amidst the spring wheat.

***

It’s a story Bob Hutchens knows all too well. He’s over in Columbia County, Garfield’s slightly more populated neighbor, but the outlook isn’t too different from where he sits. His great-grandfather Tyra moved to the Walla Walla Valley in 1873, heeding the “call of the west,” according to the obituary published February 13, 1920. Of his 11 children, Bob’s grandfather Chester (or Chet, if you’d rather) was the one who decided to try his hand at farming outside of Starbuck. He went broke the first time he tried, got himself some more money and started up another farm. By this time, he’d had a few children, including Bob’s father Dale.

“He put some money on another place and darn if the Great Depression didn’t happen and he went broke again,” Bob said.

When Dale first started helping around the farm, equipment was pulled by horses—a far cry from the state of things just a generation later, as Bob points out to me. Dale joined the service and later became an insurance salesman in St. Louis, but his heart was always in the valley, and he was eventually able to come back. Bob was raised on the farm and loved it. After studying agronomy at Washington State University, he bought the family’s current farm in 1980, and in 1989 he moved into the farmhouse where he lives now.

Spring wheat begins to grow at the Hutchens farm.

Spring wheat begins to grow at the Hutchens farm.

Bob has a passion for science, and he’s especially excited about the advances which have given farmers the information they need to better conserve soil and practice crop rotation. He tells me he used to write a column for the Dayton Chronicle called “Soils and Men,” but that farming well takes more than scientific aptitude. The label “farmer” transcends occupation to become an identity. He knows this from watching his father, who had farming in his blood and who was still at it until he died at age 93.

“You walked into the room and that was what he wanted to talk about. He would have wanted to be on the tractor at 93 if he was physically able,” says Bob.

Even that passion isn’t enough to keep a farm going. As machinery has made farm work more efficient, it’s also raised the bar for getting into the game. A brand new combine runs almost half a million dollars these days—enough to buy you a house or two in a town like Dayton. This shift means that farmers have had to choose between going big or getting out if they want to stay economically viable.

“I’ve never seen a wheat farmer that’s small these days unless they have a good day job.” Bob’s tone was lighthearted, but grows thoughtful. “When I was a kid, there was a lot more houses in the county than there are now.”

I ask him how common it is for children to go to college and study things like agronomy before coming back to the farm. He pauses for a long time, then shakes his head slightly before answering me.

“I think there’s a lot of them going to college, but not a lot are coming back,” he says. “It’s so capital-intensive, it’s frightening.”

* * *

The kids-leaving-the-farm narrative is an old one, and it has some truth to it. But farming in Dayton, much less farming on the Hutchens’ place, doesn’t seem to be in its death throes when I visit. After chatting with Bob in the kitchen, I spend a few minutes roaming around his shop snapping photos. Bob’s son Clay, who’s older-but-not-too-much-older than me, waves, and I walk over. Clay was welding when I arrived, and has since switched to cutting metal chains off a complicated piece of machinery, apparently called a chisel, which is used for primary soil tillage.

Clay Hutchens repairs the farm's chisel.

Clay Hutchens repairs the farm’s chisel.

Glancing from Clay back to myself, I notice the obvious differences between our environments. I’ve driven out to the farm in a red two-wheel-drive Kia, and every other vehicle in sight is a good couple of feet taller than I am. I’m clad in the standard northwest college student outfit of jeans and a North Face jacket, barely sufficient to keep me from shivering in the unusually cold February wind. Clay’s coveralls are streaked with grease, and he chops pieces of chain off of the machine effortlessly. It looks to my untrained eye like he understands the way each and every piece of equipment works in intimate detail. His eyes remain laser-focused on his work even as he talks to me.

He asks me what I’ve learned about farmers. I tell him that the individuals I’ve met are different, but they all seem a little crazy, trying to make a life like this in a world where that seems to be getting harder. He considers this for a minute and nods with a smile.

“You’re probably on to something,” he laughs.

We talk for a few minutes and end up discussing what I’m doing out on his dad’s farm in the first place. I tell him that I’m hoping to stick with the journalism thing and get a job in the field, maybe even one paying enough to get me a roof over my head. He laughs, because it’s 2013 and we both know what the Internet has done to newsrooms across the county. I offer, “I guess that makes me a little crazy, too.”

“But you do it because you love it and you’ve got a passion for it,” he says, and turns back to the chisel, which he thinks he’s almost fixed. It’s a giant piece of equipment, and when it’s ready, it will be dragged across acres of field by another massive tractor, not too different from the one Bob sat me in to show me the changes he’s seen.

Though Bob is getting to an age where most men think about retiring, the family’s future seems solidly tilted towards farming. Clay will be responsible for more acres of ground than his grandfather and great-grandfather were, and he’ll watch over the wheat with a combination of scientific knowledge and agricultural technology that was unavailable to previous generations. His love for the farm is clear, the kind of love that lets you shrug off 60-hour work weeks during harvest and settle for a life you know will never make you wealthy.

As I’m driving home, I pause to snap pictures of the farm from the road, and I see where they’re building a new shop to house the larger pieces of equipment, changing the farm to fit the world outside of it. I think back to what Bob told me about his father wanting to ride tractors at 93, his grandfather going broke twice but not giving up, and I see them making it work, finding a way to grow some kind of a life out of the soil in this valley.

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