“4 Da Gang (feat. Roddy Ricch)” by 42 Dugg 

After a breakthrough feature on hit Lil Baby track “We Paid,””, Detroit rapper 42 Dugg hasd his first charting single as a lead artist with the Roddy Ricch -assisted “4 Da Gang”..” In all honesty, the song sounds like a joke as it begins with a sample from Scorpions’ “No One Like You”..” Rap songs with notable rock samples are rarely ever able to surpass the novelty of the interpolation (see Eminem’s “Revival” for the best examples”), but to my amazement, Dugg and Ricch defyied the odds.

While the sample is admittedly corny, the bounce of the drums and the charismatic performances from both rappers make for a very fun listen. Dugg’s voice appeals to the same demographic as Kodak Black, who has yet to be imitated vocally by any new artists. Ricch is known for his effortlessly changing between flows, and Dugg matches hism with fun, melodic vocals. Some will call it a guilty pleasure, some will call it a non-pleasure; “4 Da Gang” is an anomaly in modern hip-hop.

“shots in the dark (feat. Trippie Redd)” by iann dior

Iann Dior is an artist that I have not been impressed withhas failed to impress me in the past. I’ve never had a problem with the “industry plant” concept as long as I can sonically enjoy their music, and Dior has failed me on this until now. “shots in the dark” is not far from the singer’s usual sound, but with a few key elements, he’s managed to score a very replayable pop song this year.

Dior’s music rides off guitar-driven beats and emo rap lyrics, blending to make an upbeat yet melancholy banger. While “shots in the dark” contains both factors, it’s significantly more happy-soundingupbeat thanks to praised producer Mike Dean’s trademark synth -layering on the hooks. He adds a bright depth to the guitars that carries the rest of the song on it’s back.

Trippie Redd also delivers character in his guest verse along with a standout “Hennessy been liquid gold” bar that I quite like. If Dean’s chorus presence wasn’t enough, he ends the song with a Travis Scott-esque outro, proving that industry plants can flourish with the right building blocks behind them.

“4U” by Pi‘erre Bourne

The rap issue of “5 Notable Tracks” continues with “4U” by Pi’erre Bourne, the producer behind thea majority of Playboi Carti’s early hits. Despite releasing a fairly successful 2019 project in 2019 titled “The Life of Pi’erre 4,””, he has consistently been known for his production work. His most recent track is believed to be the leadoff single for a new album this year, which can hopefully follow up to the high standards set by “4U”..”

After a short boomy intro, synth chords reminiscent of a video game soundtrack come in, a possible relation totying in with the 8-bit cover art. The song had also beenwas also previously titled “PlayStation” before it’s official release. ¶

The song rides on vibes as Bourne’s repetitive flows and beats float away. His agitated “damn” ad libs are instantly memorable, and the intricacy of the chords are impressive for a trap song like this. As the song progresses, more and more synth riffs build onto the beat.

“4U” is not a new sound for Bourne, but it is him at his best as a producer and a performer. He delivers what most Carti fans had likely hoped for on “Whole Lotta Red” last year, and he could possibly have the album they wanted on the way soon.

“American Honey” by Current Joys

I have brokenI’m breaking the rules once again. This song came out on March 31st, but it absolutely had to be mentioned. Not only was this list lacking in genre diversity, but “American Honey” has been one of the most daunting yet beautiful songs of the year so far. Current Joys is an alternative artist with a knack for expressive delivery, and with only a few chords and some strings, he has made an emotional punch of a song.

Simplicity is not a hangup for this track, similar to the previous entry “4U.””. The vocals are passionate and, flattered withby perfect minimal effects, and the guitars are somber and gripping. The real punch is the strings that, which enter on and offmove in and out of the song to create some of the most potent instrumental harmonies that I’ve ever heard.

The ideas of this song are not groundbreaking, but they are basic concepts done ideally to make raw emotion. My only complaint is that I find this song intimidating sometimes; it’s not an easy listen for me. Despite that, I cannot deny how much I do enjoy this song when I choose to listen to it. In a difficult year, no other song has matched this in thorough feeling.

“Duo” by Sam Gellaitry

“Duo” is easily one of the best songs of 2021 so far. 24 -year -old artist Sam Gellaitry is known as a producer, and; he has multiple instrumental projects on Spotify and numerous singles and remixes on his SoundCloud. Up until the release of “Duo,””, Gellaitry had not made his debut as a vocalist. This single is his first step into the role of a pop artist, and the future seems to be unbelievably bright for him.

The groove on “Duo” is so contagious, with bouncy drums and a stiff bassline to contrast. The short stabs of keys get covered in fluttery synths as the chorus comes in, all performed by Gellaitry. His vocals are superb, with creative and, memorable melodies and lyrics, especially onduring the chorus. The duo in question has had some drama in the past, but he still “wishes her the best in all her future endeavours.””.

Gellaitry’s use of vocab makes for lots of interesting rhymes throughout the track. This track is not simplistic at all, t: The complexity of the instrumental is a sign of a masterful producer, and the amount of texture and color the song has is mind-blowing. “Duo” ends up being one of the most satisfying and impressive songs of the year, clocking in at only 2:06 two minutes and six seconds as well.

Welcome to my ranking of the top 25 songs of the midyear. This list is a current perspective of the recent releases that I have been listening to throughout the first half of 2021. To make this list, a track must have received a proper release on streaming platforms between Jan. 1 and June 30, 2021. There is no limit to the amount of tracks a single artist can land on here; I’d prefer to promote accuracy over variety. As the list progresses, more detail will be given on my opinions of the tracks.

I have found this year to be rich in moments, and weaker for full albums so far. Choosing an album to call the “best of the year so far” is challenging, despite easily finding more than enough content for this list. Personally I have always found ranking individual songs to be easier and more entertaining than full albums, so this curation has been a thoughtful and surprising process at times. Opinions shift everyday, so this is purely a snapshot of my current thoughts.

25. “HOT WIND BLOWS (feat. Lil Wayne)” — Tyler, the Creator

24. “favorite crime” — Olivia Rodrigo

23. “Dearest Alfred (MyJoy)” — Khruangbin & Knxwledge

22. “Baby + Do It If It Feels Right” — Mount Rainier

21. “Lumbago” — Yeek

20. “What You Need” — Don Toliver

19. “Kino Cave River” — Mount Rainier

18. “3000 Miles (Baby Baby)” — Yeek

17. “BERNADETTE (feat. Joyce Wrice)” — Zack Villere

16. “LAW OF AVERAGES” — Vince Staples

15. “shots in the dark (feat. Trippie Redd)” — iann dior

While iann dior has never stood out to me, this track is by far his most catchy and memorable. It’s nothing new stylistically for dior, just the perfect try supported by talented collaborators.

14. “Close To You” — Dayglow

The opening chords of “Close To You” define the whole track. Whether it ends up sounding dated quickly or not, the retro fun Dayglow created here was perfect for 2021. I’m surprised this song was not bigger.

13. JUGGERNAUT (feat. Lil Uzi Vert & Pharrell Williams)” — Tyler, The Creator

Drums have not been this bouncy and detailed all year. No rapper feels outshined here either, and Pharrell’s “secret service” line is one of the best vocal moments of the year.

12. “4U” — Pi’erre Bourne

Droney, video game chords power Bourne’s leadoff single up this list considerably. While his performance vocally holds strong, he shows why production is his main trait.

11. “Untouched” — BabyTron

Babytron is proving himself as a consistent personality in 2021. His nonstop flow and bars are so recognizable, and “Untouched” makes you feel his casual cockiness over a smooth sample.

10. “MASSA” — Tyler, The Creator

It hasn’t been long since “CALL ME WHEN YOU GET LOST” dropped, and as of now this stands as my favorite cut. As the instrumental grows more melodic, it becomes one of the most beautiful and passionate performances on the project.

9. “BUZZCUT (feat. Danny Brown)” — BROCKHAMPTON

“BUZZCUT” was the ultimate comeback for the boy band this year. It’s textured and inventive in the same way “BOOGIE” was back in 2017, this time with an even wider range of sounds.

8. “Jeez Relax!” — ShittyBoyz

BabyTron, TrDee and StanWill make up ShittyBoyz, one of the most fascinating young groups in rap. The late night radio feel of the beat feels celebratory as each member wastes no time dropping quotable lines. This group’s personality was unmatched this year.

7. “Falling out the Sky (feat. Earl Sweatshirt)” — Armand Hammer & The Alchemist

After four albums of attempts, The Alchemist found the best sample of 2021 with this track. The synth melody is such a strong hook, and each rapper flows unpredictably. The song feels intelligent and accessible, a difficult combination to achieve.

6. “California Dreamin’” — Hazel English

English’s cover of the classic The Mamas & The Papas song is a modern remaster of the original, staying very loyal to the initial composition. She couldn’t have chosen a more appropriate track for her style, the haunting progressions are filled beautifly by her western tones.

5. “American Honey” — Current Joys

The shocking emotiveness of this song is strong to a point where it nearly hinders. Despite the simplicity of the chord progression, the harmonies between instruments transcend to a point no other track could match this year. It’s a beautifully sorrowful song that’s not meant for most occasions. I hope that it never loses its potency.

4. “Ryan Garcia” – ShittyBoyz

On a completely opposite note, the ShittyBoyz deliver their best track to date as a complete trio. The group is consistently in their prime over sampled instrumentals like this one; it’s a one of a kind sound that is instantly interesting. The best moment comes when TrDee staggers his flow stating “if you talk behind my back, you bet’ not say what’s up.” This group has piqued my interest in hip-hop this year.

3. “Blouse” — Clairo

Clairo steps away from her bedroom pop roots on “Blouse” and returns with a stripped, orchestral peek towards her upcoming sophomore album. Her lyrics sound primary to this song, and every vocal line is harmonized, which details the shy melodies and forms one of my favorite vocal hooks of the year on the chorus. As my top song from June, I believe Clairo has a solid shot at releasing one of my favorite albums of the year this July.

2. “Big Wide Body” — SoGone SoFlexy

After being backed by BROCKHAMPTON’s new label Video Store, SoGone SoFlexy’s newest single modernizes southern rap in the catchiest way possible. The electronic bass and synths are funky and mood-setting, helping to paint SoFlexy’s deep vocals into a defined characterization of him as an artist. The “swinging in a big wide body” line is the stickiest chorus of the year so far, and the melody is so easy to sing. When enhanced by visuals as well this track has a whole world to it.

1. ”Duo” — Sam Gellaitry

Since the end of April, “Duo” has been my frontrunner for this position. Sam Gellaitry has taken the transition from quiet producer to self-made pop star with confidence, and blown me away with his initial single. His electronic production is so detailed, and it shows that his understanding of himself as an artist is thorough. The calculated execution of this song is very impressive, from the stretched out lyrical phrases to the five-second synth solo to close. As of now Gellaitry has my favorite song of the year by a fairly wide margin, and despite how much I enjoy “Duo,” I expect someone will challenge this title in the second half of 2021.

Whether you know her from her hit single “drivers license,” her role as Nini Salazar-Roberts in “High School Musical: The Musical: The Series” or even way back from her role as Paige Olvera in “Bizaardvark” — Olivia Rodrigo’s name has been flooding the media lately. She just dropped her debut album, “SOUR,” on May 21 and it is heartbreaking in the best possible way. I deem it a “no skip” album. This is something I have never done before, but this album deserves the title.

I’ll admit I haven’t always been Rodrigo’s biggest fan. I first saw her on “Bizaardvark,” which was not my cup of tea and forgot about her until she appeared in “High School Musical: The Musical: The Series.” While I grew to like her as an actress after seeing her take on a different role, I was skeptical about her music career. However, any skepticism I had was thrown out the window when I heard her first single “drivers license,” released on Jan. 8. After that, I was hooked. She has released two singles since then: “deja vu” and “good 4 u,” both absolute masterpieces.

When “SOUR” dropped, I listened to the entire album in one sitting at midnight and instantly fell in love with it. “SOUR” is the ultimate break-up album that will tear open any old wounds or have you scream-singing songs about exes who betrayed you, even if you have never dated anyone.

Songs like “1 step forward, 3 steps back,” “enough for you,” “favorite crime,” “traitor” and “happier” will have you bawling with their relatable lyrics and sad melodies. They sting and tug at your heartstrings, but they’re worth it. I am a huge fan of ballads so I listen to these tracks more than the others on the album. I believe “favorite crime” is underrated. The song highlights the experience of going through criminal efforts to be with the one you love. It beautifully captures the idea of being someone’s “favorite crime,” even though you lost them in the end.

There are a few songs on the album that aren’t about heartbreak. The first track on the album is “brutal,” and it’s completely unexpected — everyone assumes “SOUR” is purely a break-up album. “Brutal” has an incredible beat and is laced with a certain teen angst that makes you want to scream it at the top of your lungs in the car with the windows down. In the song, Rodrigo complains about everything wrong with her life, but it’s the relatability factor of her complaints that people are drawn to, as well as the head-banging instrumentals.

Continuing with the relatability factor is “jealousy, jealousy,” in which Rodrigo expresses her insecurities and jealousy when she sees other girl’s lives and physical appearances in media, which is an experience many people (including myself) have had. I wasn’t sure if I vibed with the song at first, but the more I listened to it, the more it grew on me.

The last track on the album is “hope ur ok,” where Rodrigo explains some unfortunate situations of people who she knows who aren’t accepted by their families because of who they love. The track has comfort and warmth that will encompass those who need it most. It caps the album off excellently, leaving you with tear-stained cheeks.

One thing I must note is that Rodrigo, on top of her incredible vocal and instrumental talent, has a talent for writing bridges. Every track on this album has such a powerful bridge that captivates me each time I listen. My favorite track on the album is “1 step forward, 3 steps back.” The soft piano of the track is the perfect accompaniment of the gentle, yet painful lyrics. It is the song that speaks to me the most.

Upon release of this album, Rodrigo collaborated with Sour Patch Kids, creating a box of “SOUR” Patch Kids with her face on them. There is speculation that since the Sour Patch Kids slogan is “Sour. Sweet. Gone.” Rodrigo’s next album will be titled “Sweet” and include love songs. Only time will tell. While I prefer gut-wrenching ballads, I may need a “Sweet” album to heal from “SOUR.” Even though she just released this album I need more of her music ASAP. If you want to experience some good old-fashioned heartbreak with a hint of teen angst, go give “SOUR” a listen! You won’t regret it!

“California Dreamin’” by Hazel English

LA-based singer-songwriter Hazel English has returned with a cover of notable The Mamas & the Papas track “California Dreamin’.” The single was released on May 11, and contrary to most modern covers, chooses to abide very closely to the 1966 original. Ritt Momney recently landed a viral hit with his cover of “Put Your Records On,” a 2000’s radio staple. While he opted to completely modernize the instrumental, leading to polarizing views on the cover, English’s decision remains favorable to me. English could be compared to fellow alt-pop female Lana Del Rey, with a similar soft vocal delivery and color. She plays both male and female vocal roles very well on the track, as there is no noticeable loss in context or need for deeper male harmonies. The instrumental is very similar to the original, only cleaned up and simplified slightly in the drums. As some modern artists struggle to find fitting songs to cover, I find this to be a flattering choice for English. Her sultry vocals fit well with the somewhat haunting melodies of “California Dreamin’,” and her retro western aesthetic matches the original song’s composition.

“Assumptions” by Sam Gellaitry

Electronic producer-turned-pop-star Sam Gellaitry has delivered his new EP “IV.” The project comes a month after dazzling the world with “Duo,” a song I claimed to be my favorite of the year so far in last month’s edition. With extreme impression comes great expectation, and while the project as a whole fell a bit short for me, the closing track was a pleasure to listen to. Although the EP was only four tracks long, “Assumptions” is a perfect closer. The song shimmers with a wide array of instruments and sounds, and with only a few simple lines he fills the track with energy. Production is Gellaitry’s strong point (not to discredit his writing and vocals), so the textures throughout the song are very defined; it’s evident that he knows how to make himself sound great. “Assumptions” is a dance track that uses repetition to its advantage, and as it comes to an end, it leaves me hoping that Gellaitry has more plans for 2021.

“Kino Cave River” by Mount Rainier

Rain Gregorio goes by Mount Rainier, a reference to the fifth-tallest mountain in the U.S., located in Washington state. While this is pretty common knowledge, Gregorio’s music is not. My friend and I dug up his music while searching through Bandcamp and were charmed by his easy and professional sound. His EP “World Behind Your Head” is a treat to indie-pop fans, and “Kino Cave River” is my standout track. Album closers have now made this list back-to-back — however the moods created by these songs are nearly opposite. The doubled acoustic guitars and vocals make for a more messy sound, but fill out the song as well. Some airy effects also add to the windy feeling of the song. Gregorio reflects a bit bitterly on a past partner while still containing the maturity to find lessons through his thoughts. The track concludes with an electric piano solo that falls away to whirring, motor-esque sounds that remind me of what the thoughts he describes might sound like. The skills shown both lyrically and production-wise convince me that Mount Rainier should have a strong future ahead.

“What You Need” by Don Toliver

After a solid debut project with multiple hits in 2020, Don Toliver has landed another charting hit with his newest single, “What You Need.” Although one year is a fairly quick turnaround for another album, we can only hope that Toliver has more songs like this on the way. This song follows the trend of label Cactus Jack’s trippy hip-hop sound, made most popular by Scott himself. Despite somewhat empty lyrics, this song’s array of sound and melody sets a very high standard for mainstream hip-hop. “What You Need” begins with a nearly 40-second intro, and the organ synths stand out as they flood into the hook perfectly. Toliver’s best quality is his voice; it’s reminiscent of 2000’s artist Akon, but with a more gritty texture. He finds a few memorable melodies in the chorus, and soars through the reverb-ed beat. The outro features a live instrumental sound with piano, electric bass, and light ride cymbal. The detailed production here is the work of many, and Toliver brings it all together with charisma and character.

“Big Wide Body” by SoGone SoFlexy

Texas rapper SoGone SoFlexy is the newest artist project in the BROCKHAMPTON empire. He is one of the three new artists under the label Video Store, founded by members Kevin Abstract and Romil Hemnani. SoFlexy had previously released music without this cosign, but the single “Big Wide Body” appears to be his first solo release since working with the group. The track features production from Jabari Mwana, and is clearly influenced by the new direction of BROCKHAMPTON. The instrumental on “Big Wide Body” modernizes southern hip-hop production, keeping a funky and screwed feel moving through choppy drums. A droney synth sets the basis for the beat under a squishy, electronic bass and cool chords. Credit must go to SoFlexy as well though, his layered deep voice is perfect for this type of production. His “big wide body” line may well be the catchiest chorus of the year so far, and whether you like the song or not this line will get stuck in your head. It’s been an amazing year for rap so far, and Video Store may have found a gem in SoGone SoFlexy. With a leadoff single this strong, I could see his debut album under the label outshining the boyband in 2021.

America’s Got Talent Full Episodes — “Watch Films Unlimited”

A few months ago, I uncovered a YouTube channel called “Watch Films Unlimited” containing almost every episode of the show America’s Got Talent in full. Although I have been very unimpressed with the newer seasons of the show, I remember obsessively following seasons five through 10 as they were airing. Past seasons of AGT have never been available on streaming platforms, possibly for copyright issues during performances, and revisiting these episodes has been an experience I thought would be impossible. The availability of the show might be short, so rewatch them while you can before they become lost again.

“The Newsroom” — TV Show

This show is a little dated in a few ways, mostly in that it concerns itself largely with major news events from 2010-2012. It definitely isn’t for everyone, but if you’re a fan of solid actors saying witty Aaron Sorkin dialogue, and some good political content that is a little easier to distance yourself from than the actual news cycle, it’s worth trying out. Available on HBO Max.

The Symposium’s Self-Titled Album

This 2017 album brings a psychedelic and garage rock take on the indie rock genre. With catchy repetitive choruses and lots of synth, this album is a fun listening experience. Personal favorites from the album are “Streems” and “Based.” If you like bands like The Strokes or The Walters, I would definitely recommend giving “The Symposium” a listen.

“Overdrive” by Conan Gray — Song

Conan Gray has mastered the indie-pop genre, and ventures in a new direction with his single “Overdrive.” The song is criminally addictive, featuring a clean, pop sound and catchy lyrics. A perfect addition to any summer playlist, “Overdrive” is my favorite song for late night drives. I highly recommend blasting this one on your stereo — it’s impossible not to sing along.

“Breeders” — TV Show

FX on Hulu show starring Martin Freeman. The British comedy centers around the idea of loving your kids to death but also wanting to kill them sometimes. Raising two kids in London, Freeman’s Paul and his partner Ally handle the ups and downs of life in this comedy.

With big releases from artists like Olivia Rodrigo, Twenty One Pilots and Lord Huron this past week, the albums of the summer are beginning to drop for 2021. The year has not been quiet so far, and there is definitely more to come in the next few months. From confirmed projects to theorized plans, this is a short list of the albums to watch for this summer.

CONFIRMED ALBUMS: These projects have been formally announced by artists, or have official release dates or tracklists.

Bruno Mars and Anderson .Paak — “Silk Sonic”

After the success of their lead single “Leave The Door Open,” “Silk Sonic” will be one of the most hyped releases of the summer. When the team-up was announced, a full collaborative album was confirmed by Mars. No dates have been released yet by either artist, but a summer drop would make a lot of sense for the duo.

Bleachers — “Take The Sadness Out of Saturday Night”

The Jack Antonoff-fronted act Bleachers is returning on July 30 with their first album since 2017’s “Gone Now.” While Antonoff is known mostly for his work with pop artists like Lorde, Taylor Swift and Lana Del Rey, Bleachers takes on a more americana approach to their work. The project only contains one credited feature, Bruce Springsteen.

Billie Eilish — “Happier Than Ever”

Eillish’s sophomore album will also be released on July 30. The album cover shows her dramatically posing with blonde hair, possibly signifying a new era or direction for the project. More singles are sure to be released before the whole album in July.

Babytron — “Luka Troncic”

Michigan scam rapper Babytron has become known for his clever and underrated lyricism as a part of the trio ShittyBoyz. His solo project titled “Luka Troncic,” a nod to NBA prodigy Luka Doncic, will be coming out on June 6.

KSI — “All Over The Place”

Rapper, YouTuber and boxer KSI has risen to become one of the biggest figures in the UK. After recently taking on a more poppy sound, his new album will be coming out on July 16, and features names like Lil Durk, Anne-Marie, Future and 21 Savage.

Migos — “Culture III”

The Migos will continue their now-trilogy of albums on June 11. The era-defining “Culture” album was released in 2017, and the bloated mess that was “Culture II” came in 2018. Hopefully a three-year break is enough for the trio to come through with another classic installment to the series.

THEORIZED ALBUMS: Without official statements to back them up, these projects have only been teased, rumored, or inferred.

Cardi B

Cardi recently scored another number one hit this year with her single “Up.” It would make sense to try and follow this success with an awaited sophomore project. Although no direct mentions of an album have been made, the timing seems correct for Cardi’s comeback.

Gouda & Lena Fine (local artists)

Both Gouda and Lena Fine are young artists who have attended Drexel and are currently based in Philadelphia. While Fine has directly stated plans for an album release this year, it is unknown when the project will be finished or released. Gouda has yet to mention plans of an album, but his numerous singles hint at a bigger release in the future.

Lil Tecca, Polo G, Baby Keem and Don Toliver

All four of these rappers have dropped singles that appear to be promoting new projects in the near future. All artists besides Keem have dropped albums in the past year, but speedy turnarounds like this are not uncommon in rap. If you are interested in current hip hop, I would recommend watching these names.

Drake — “Certified Lover Boy”

This album has been rumored since mid-2020, and was delayed once in early 2021. With a merch line by Nike already released and multiple references to the title by Drake online, this album’s existence has been 100 percent confirmed. Similar to the “Views” album release in 2016, I foresee this album being accompanied with lots of hype, criticism and celebration.

TDE artists

The label Top Dawg Entertainment hosts artists like Kendrick Lamar, SZA and Isaiah Rashad. Although most of their artists haven’t released albums in multiple years, these three have been under the most speculation recently. Expect an album from at least one of them this summer.

Rihanna

Since “Anti” dropped in early 2016, Rihanna’s follow-up album has been one of the most rumored and anticipated releases in popular music. The confusion around the state of the album has been added to by vague online statements from Rihanna over the years, and no formal mentions of it at all. This album continues to be a huge mystery into this summer.

“Attack on Titan” is undoubtedly one of the most famous animes, garnering favor even among non-anime watchers. As the show began to gear for its final season, viewers wondered how the eight-year saga of titan-slashing would leave its legacy.

Our story begins years into the future on enemy soil of Paradis Island. Young recruits train as “Warriors” for their nation, appearing eerily similar to the Scout Regiment of season one. The main cast, now adults, grapple with the consequences of their actions when Eren Jaeger launches a surprise attack on Marley. The attack results in hundreds of deaths, as Eren and the Regiment narrowly escape with their lives. The premise of season 4 revolves around the new Eren Jaeger: political figurehead, weapon of destruction, and no longer the bright-eyed teenager he once was. Alongside his half-brother Zeke and former soldier Yelena, Eren phases in a new plan: ending the titan race entirely. As the Paradis government attempts to quash Eren’s revolt, they are met with the uncomfortable realization that Eren is much larger than he seems. The season closes as Marleyans and Eldian fight together and against each other, blurring the lines between friends and foe.

In every season, life beyond the walls expands. However, this season birthed the most shocking revelation. The storytelling of season 4 is masterful, seamlessly weaving past and present. As is the theme of “Attack on Titan,” every life has a larger significance, especially as the show prepares for its end. What is most shocking is Eren Jaeger, who in one season transforms into the show’s most formidable enemy yet. Unlike previous battles, fighting is no longer a human versus titan conflict, rather human versus human. Eren becomes untouchable not because of his titan form but because of his cult following, also known as Jaegerists.

The “Attack on Titan” universe began with the lives of three children, Eren, Armin, and Mikasa, now divided in values. However, the cycle continues in Warrior recruits Gabi and Falco, as children are once again pushed to the frontlines. With every season, more questions are answered and more are posed. In preparation for part two, we ask ourselves: what is the difference between Marleyan and Eldian? Is there an end in sight? Was there reason behind the lives lost? “Attack on Titan” has arguably released one of its most brilliant seasons yet, leaving nothing to do but to wait for the second half.

When I first stumbled across “Sunset Drive Podcast” hosted by actor and creative director Anthony Smith, I had no idea what to expect. As soon as I watched one of the episodes on YouTube, I knew I was onto something special. Smith’s podcast airs frequently on its YouTube channel, Sunset Drive Podcast, but is also accessible in audio format on Spotify.

“Sunset Drive Podcast” has a different actor on each episode. Smith interviews the guest in a way that makes it feel as if you’re listening to a conversation between two friends, rather than a professional interview. The chill vibes create an atmosphere that feels safe and welcoming.

The podcast has guested many of the “Julie and the Phantoms” cast members. Admittedly, this is what drew me into the podcast in the first place, as I am a huge fan of the show. However, Smith is just starting his “High School Musical: The Musical: The Series” leg of the podcast. Guests such as Julia Lester (Ashlyn Caswell), Dara Renee (Kourtney Greene) and Frankie Rodriguez (Carlos Rodriguez) will be joining Smith very soon. Fans of the show should be on the lookout! The best way to stay updated would be to follow @sunsetdrivepod on Instagram.

One of the things I love about the podcast is that, as a host, Smith isn’t afraid to broach difficult topics. During the episode with Owen Joyner (Alex Mercer in “Julie and the Phantoms”), Smith and Joyner talked about Joyner’s struggle with anxiety over the years. The conversation eventually led to the fact that none of us have any idea what we’re doing in life and we should take comfort in that shared experience. As someone who struggles with anxiety and trying to figure out where I want to go in life, this was a relatable discussion for me.

Another episode I really enjoyed was the one with Madison Reyes (Julie Molina in “Julie and the Phantoms”). Reyes, at just 15 years old, landed the lead role in a Netflix show — a Kenny Ortega production, no less. She and Smith talk about how her school teachers and classmates didn’t give her the support she needed in terms of acting, yet she still pulled through and landed the role. Reyes explained that she had to find that support within herself and her family.

One of the best podcast episodes, in my opinion, was when filmmaker Kenny Ortega was guested. Ortega has held the key to our childhoods, directing the “High School Musical” series, “Hocus Pocus,” the “Descendants” series and so much more. Ortega is a dream-chaser who sees the raw potential in everyone, so if you’re looking for a little inspiration, you’ll find it here. However, it wasn’t all warm and fuzzy. Smith and Ortega spoke of problems within the film industry, such as racism and lack of LGBTQIA+ representation. It’s an important episode to watch.

If you’re someone who likes hearing about behind-the-scenes fun stories of filming, but also some of the hard-hitting truths of the film industry, I would definitely recommend this podcast. There are light-hearted games alongside deep connection moments, and it’s a good time overall. If you’re interested, check out https://www.sunsetdrivepodcast.com/ for the podcast team, episodes, socials, merch and more!

“4 Da Gang (feat. Roddy Ricch)” by 42 Dugg 

After a breakthrough feature on hit Lil Baby track “We Paid,” Detroit rapper 42 Dugg had his first charting single as a lead artist with the Roddy Ricch assisted “4 Da Gang.” In all honesty, the song sounds like a joke, as it begins with a sample from Scorpions “No One Like You.” Rap songs with notable rock samples are rarely able to surpass the novelty of the interpolation (see Eminem’s “Revival” for the best examples”), but to my amazement, Dugg and Ricch defy the odds.

While the sample is admittedly corny, the bounce of the drums and the charismatic performances from both rappers make for a very fun listen. Dugg’s voice appeals to the same demographic as Kodak Black, who has yet to be imitated vocally by any new artists. Ricch is known for effortlessly changing between flows, and Dugg matches his with fun, melodic vocals. Some will call it a guilty pleasure, some will call it a non-pleasure; “4 Da Gang” is an anomaly in modern hip-hop.

“shots in the dark (feat. Trippie Redd)” by iann dior

Iann Dior is an artist that has failed to impress me in the past. I’ve never had a problem with the “industry plant” concept, as long as I can enjoy their music, but Dior has failed me on this — until now. “shots in the dark” is not far from the singer’s usual sound, but with a few key elements, he’s managed to score a very replayable pop song this year.

Dior’s music rides off guitar-driven beats and emo rap lyrics, blending to make an upbeat yet melancholy banger. While “shots in the dark” contains both factors, it’s significantly more happy-sounding thanks to praised producer Mike Dean’s trademark synth layering on the hooks. He adds a bright depth to the guitars that carries the rest of the song on its back. Trippie Redd also delivers character in his guest verse, along with a standout “Hennessy been liquid gold” bar that I quite like. If Dean’s chorus presence wasn’t enough, he ends the song with a Travis Scott-esque outro, proving that industry plants can flourish with the right building blocks behind them.

“4U” by Pierre Bourne

The rap issue of “5 Notable Tracks” continues with “4U” by Pi’erre Bourne, the producer behind the majority of Playboi Carti’s early hits. Despite releasing a fairly successful project in 2019 titled “The Life of Pi’erre 4,” he has consistently been known for his production work. His most recent track is believed to be the leadoff single for a new album this year, which can hopefully follow up the high standards set by “4U.”

After a short, boomy intro, synth chords reminiscent of a video game soundtrack come in, a possible relation to the 8-bit cover art. The song had also been titled “PlayStation” before it’s official release. The song rides on vibes as Bourne’s repetitive flows and beats float away. His agitated “damn” ad libs are instantly memorable, and the intricacy of the chords are impressive for a trap song like this. As the song progresses, more and more synth riffs build onto the beat.

“4U” is not a new sound for Bourne, but it is him at his best as a producer and a performer. He delivers what most Carti fans had likely hoped for on “Whole Lotta Red” last year, and the album they wanted could be on the way soon.

“American Honey” by Current Joys

I have broken the rules once again. This song came out March 31, but it absolutely had to be mentioned. “American Honey” has been one of the most daunting yet beautiful songs of the year so far. Current Joys is an alternative artist with a knack for expressive delivery, and with only a few chords and some strings, he has made an emotional punch of a song.

Simplicity is not a hangup for this track, similar to previous entry “4U.” The vocals are passionate and flattered with perfect minimal effects, and the guitars are somber and gripping. The real punch is the strings that enter on and off to create some of the most potent instrumental harmonies I’ve ever heard. The ideas of this song are not groundbreaking, but they are basic concepts done ideally to make raw emotion.

My only complaint is that I find this song intimidating sometimes; it’s not an easy listen for me. Despite that, I cannot deny how much I do enjoy this song when I choose to listen to it. In a difficult year, no other song has matched this in thorough feeling.

“Duo” by Sam Gellaitry

“Duo” is easily one of the best songs of 2021 so far. 24-year-old artist Sam Gellaitry is known as a producer, with multiple instrumental projects, singles and remixes on his Spotify and SoundCloud pages. Up until the release of “Duo,”  Gellaitry had not made his debut as a vocalist. This single is his first step into the role of a pop artist, and the future seems to be unbelievably bright for him.

The groove on “Duo” is so contagious, with bouncy drums and a stiff bassline to contrast. The short stabs of keys are covered in fluttery synths as the chorus comes in, all performed by Gellaitry. His vocals are superb with creative and memorable melodies and lyrics, especially on the chorus. The duo in question has had some drama in the past, but he still “wishes her the best in all her future endeavours.”

Gellaitry’s use of vocab makes for lots of interesting rhymes throughout the track. This track is not simplistic at all; the complexity of the instrumental is a sign of a masterful producer, and the amount of texture and color the song has is mind-blowing. “Duo” ends up being one of the most satisfying and impressive songs of the year, clocking in at only 2:06 as well.

For high school seniors, there is no time more harrowing than college admissions season. Years of grueling classwork and extracurriculars, all in preparation for a single envelope: accepted or rejected. Unfortunately, the most prestigious schools are highly competitive, examining every last detail, significant and insignificant, of a student’s application. Of course, hard work and ambition are not the only factors in play — “Operation Varsity Blues: The College Admissions Scandal,” Chris Smith’s documentary about the 2019 college admissions scandal, investigates a far more heinous approach to achieving success.

Bribery is not an unfamiliar tactic in the world of college admissions, but Smith’s documentary examines one of the most elaborate and heartbreaking schemes to have ever been exposed. In 2019, the nation was shocked to hear news of privileged families, such as Lori Loughlin from “Full House,” involved in a large-scale conspiracy worth years in federal prison. The reason? Rick Singer, otherwise known as the keeper of the “back door.” The phrase was coined to explain Singer’s tactic: a fool-proof method for wealthy families where the “front door” — legitimate acceptance into the university — was no longer a viable option. Doctored sports photos, corrupted officials and false SAT results: Smith’s documentary explains it all.

The documentary chronicles the scandal with transcribed conversations between Singer, parents and coaches, which the F.B.I. used to convict involved parties. While listening to the many recorded conversations, the real perpetrator is the blatant inequity. Although universities have attempted to remedy economic and racial factors in acceptance, the 2019 scandal is yet another example of the top one-percent’s disregard of fairness. With tens of thousands of applicants and only a selective number chosen, many hardworking students were robbed of admission, for reasons outside their realm of control. Parents who paid for Singer’s services often kept their children blithely unaware, having their children believe they had been admitted on their own merit. Ultimately, the conspiracy was not only devastating for students who applied to prestigious universities but also the students whose parents were involved. “Operation Varsity Blues: The College Admissions Scandal” is a must-watch.