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Alexander: Police Reform Does Not Start With Utah Legislators

 

In September, The Salt Lake Tribune released a damning analysis of Utah police shootings and the role race plays when officers fire their guns.

It found that racial and ethnic minorities are shot disproportionately compared to white people. The study included the victim’s weapon, which showed that a majority of minorities Utah police shot at had blades or knives in hand or were unarmed, versus the majority of white people shot at held guns.

Some call the findings “disappointing,” as it demonstrates Utah’s own systemic racism in its criminal justice system. But in reality, these findings are consistent with what every person of color grows up learning in America — be careful around police because you are gambling with your life.

There’s no shortage of reports, articles and studies discussing race and policing, yet we still act “surprised” and “disappointed” when confronted with clear research. The Salt Lake Tribune’s findings are upsetting and troublesome for several reasons, not only for highlighting Utah police departments’ incompetence.

Every year, the Utah legislature introduces new police reform bills, but it seems none have sufficiently or effectively curbed racist practices in Utah policing. While legislative policy can help in setting standards, police reform also requires prompt action and change within police departments at the local level.

For starters, The Tribune’s analysis revealed how Utah police departments fail to keep their own records of police shootings.

Crediting the findings to the work of their journalists, The Tribune emphasized the obstacles encountered in obtaining the data, with one being that Utah police departments aren’t required to keep records of police shootings.

Utah police departments also failed to keep track of police shootings involving the same police officer. However, this finding became public following research by The Salt Lake Tribune and FRONTLINE in July.

The lack of record-keeping among Utah police departments only widens the divide between these departments and the communities they serve. Obscuring the truth further cements distrust of police — especially for communities of color.

Establishing legislative policy to mandate reporting on police shootings requires the willingness of police departments. Actual effort on their part in contributing to a running record-keeping system cannot be realized without the help of individual departments.

Another disturbing finding from The Tribune’s analysis includes why the disparity exists in the first place. The “clearest explanation” given in the original article by University of Nebraska Omaha criminology professor Justin Nix, is that Utah police also disproportionately stop minorities.

Again, this finding didn’t necessarily surprise many. But when looking at the research, officers treat people worse in lower-income areas and those that include higher densities of racial and ethnic minorities. This behavior includes unjustified stops, verbal abuse, stereotyping and other harmful treatment.

Again, this finding is not surprising. Even though Utah police departments aren’t inherently racist, these findings critically and clearly state how police attitudes towards people of color demonstrate prejudice. And in turn, they make communities of color feel incredibly unsafe around police. We cannot keep dismissing the experiences of people of color and their interactions with police as “isolated incidents” worthy of anecdotal references. Racism in policing frequently occurs in Utah.

I want to clarify that I still support Utah’s police and most law enforcement departments. The work they do in protecting and serving our community is unmatched and, frankly, I’m not sure what we citizens would do without them. But I firmly believe police departments won’t eliminate racism within their departments until the departments themselves undergo restructuring to reflect community values.

Instead of playing politics and attributing incompetency to calls for reform, police departments need to prove their efforts to reform their own practices. That means abolishing practices that reinforce racial prejudice. They must adopt policies that punish acts of police brutality and excessive use of force — especially when they infringe on community members’ civil rights.

Police departments need to be transparent in the steps they take to reform themselves, because we can’t see progress on our end. We need to see work happening beyond passing bills.

Unfortunately, I don’t have all the solutions for fixing the issues surrounding Utah police departments and their attitudes towards people of color. We can continue advocating for an increase in police training and the use of body cameras, as well as introducing clear limits for use of force. But when blatant and glaring issues exist in our police departments that we cannot ignore, calling police out and calling for change is the first route we should take to remedy the harm they cause.

To eradicate police brutality and racial prejudice in our police departments, we need prompt action policy and reconstruction of our state’s law enforcement. But we can’t keep leaving this decision to our legislators, who continuously pass inadequate police reform bills. We’ve waited too long for them to come up with proper policy that encompasses community wishes and police efforts.

Our legislators have failed both Utah police departments and communities. The change we need does not start with our legislators, but starts at the local level, with individual officers and departments.

 

c.alexander@dailyutahchronicle.com

@CamdenAlexande1

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The University’s Department of Theatre Arts & Dance is back with the announcement of a long-awaited fall season

After nearly two years without in-person performances, the lights are back on for the University’s Department of Theatre Arts & Dance.

The department recently announced the lineup for their fall performance season. The diverse handful of shows, under a theme of “Return, Restore, Renew,” will work to educate students and audience members alike about social issues and human emotion through performing arts. 

There are four shows on the calendar for the upcoming season, which spans late October through early December. 

“JUNK,” a play by Ayad Akhtar, will run in the Kilburn Arena Theatre Oct. 28-31. Presented by the Guthrie BFA Acting Second Year Company, this show gives the audience a riveting inside look into the financial world of the 1980s.

Running alongside “JUNK” in the Kilburn Arena Theatre is “Alchemy of Desire/Dead-Man’s Blues.” This production will take place Oct. 28-31, and centers around a widow who is uplifted by her community during a time of grief.

“She Kills Monsters,” will run Nov. 11-21 at the Stoll Thrust Theatre. Presented by the BA Performance Program, this play by Qui Nguyen depicts a teenager who set out to learn more about her late sister’s life through the fantastic world of Dungeons & Dragons.

The University’s dance major students will close out the fall performance season with the “University Dance Theatre Fall Dance Show.” Running Dec. 3-5 at the Barbara B. Barker Center for Dance, this show will premiere two new dance films, incorporating choreography from Souleymane Badolo and BRKFST Dance Company.

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Stressed? Take a break with a weekend getaway trip!

Stressed? Take a break with a weekend getaway trip!

Photo of a scenic pier and boats

Jackie Amendola/Senior Staff

From the excitement of school returning to in-person to the stress of midterm season, a fall break sounds pretty good right about now. Since we don’t have an official fall break and Thanksgiving break isn’t for more than a month, now is the perfect time to plan a weekend getaway to relax in between midterm cycles. This past weekend, I was lucky enough to escape to Sunriver, Oregon, but there are tons of great places to get some fresh air around Berkeley. This is your sign to get a group of friends together and go have a weekend of relaxation! 

Why you should do it

If you’re not convinced yet, my grandma’s famous catchphrase: “You are number one!” is really the main reason you deserve this getaway. It’s so easy to be stressed as a Berkeley student and even if school has been dragging you down, you need to make sure you’re still taking care of yourself. And sometimes the greatest gift to yourself is a break from reality. Getting physically distanced from Berkeley even for just a weekend can be really healthy. Imagine being surrounded by trees, fresh air and appreciating the stillness and the calmness that the forest has to offer! Planning a fun trip like this can also be a great motivator; if you know you have this to look forward to, it might make your school week seem more manageable since you know you will get to fully relax and enjoy once you get through it. Additionally, if midterm season has taken some of your social life and activities away, planning a trip with some of your friends is the perfect way to catch up and spend time together.

Ideas for your trip 

First, pick your location. We are so lucky to be within only an hour or two from some of the most beautiful forest locations in California. Consider heading up to Tahoe or even somewhere in the Redwoods. Booking a cozy cabin Airbnb is the perfect home for your weekend getaway, plus splitting the cost with friends can make them more affordable. As for activities, the options are endless. If you’re near a lake, renting a boat or kayak with your group would be fun. If you’re looking for lower-cost options, there are tons of amazing hikes you could also embark on. Walk around the local towns and or stay in for a cozy weekend of movies by the fire. The weekend is your oyster; you can do whatever you please on your cabin getaway!  

Don’t let the midsemester stress get you down — plan some type of getaway or relaxation activity! If cabin life isn’t for you, you could also consider doing a night in the city or by the water on the coast. If traveling right now isn’t possible for you, plan some type of destressing time even just around Berkeley. It’s important to put yourself first and take a breather to mitigate the burnout!

Contact Jackie Amendola at jamendola@dailycal.org.

The Daily Californian

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Meltzner: CSU is not taking Westfall students’ needs into account

There are few transitions in life as daunting as entering your freshman year of college. For many students, freshman year represents a near-overwhelming assertion of independence.

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Stone Gallery exhibition honors Josef Albers’s legacy

BU alumnus Steve Locke’s “Homage to the Auction Block” accompanies Albers’s “Formulations: Articulation.”

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Album Review: Don Toliver’s album has elements from his previous projects

BTS should be taken seriously by the music industry

don toliver

Juana Garcia/The Cougar

Rapper and songwriter Don Toliver released his second studio R&B album “Life of a Don” including a 16 song tracklist. The album has five songs with features like Travis Scott, Kali Uchis and Baby Keem.

On the release date, “Life of a Don” reached No. 2 on Apple music and after playing this album on repeat I can see why. 

To me, this album sounds like it has elements from Toliver’s previous projects like “Donny Womack”. Toliver presents consistency in his style with the album and a new range of beats that give me that late night drive feel.

My top five with this album, in no order, are “5X”, “Swangin’ on Westheimer”, “Double Standard”, “Way Bigger” and “Drugs and Hella Melodies”.

“5X” and “Way Bigger” both have a more hype beat that’s addicting to me and Toliver’s flow elevates those songs. 

Not only is “Swangin’ on Westheimer” a slower paced love song the lyrics are captivating and shows his relatableness with his life experiences. The title is also a shoutout to his hometown of Houston, with H-Town references, which is expected and appreciated. 

“Double Standards” is an underrated track to me. The acoustic guitar in the song works well with this beat and I’m a fan of the pauses between the lyrics throughout the song.

Last but not least is Toliver and Kali Uchis’ song “Drugs and Hella Melodies” which I’ve played an embarrassing amount of times. It’s seductive and their soft sounds make the song serene.

Overall I think “Life of a Don” is an impressive and versatile album that has the potential to be an album of the year. Toliver stays true to his style while also using unique beats that lets each track shine for different occasions.

arts@thedailycougar.com


Album Review: Don Toliver’s album has elements from his previous projects” was originally posted on The Cougar

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Grace’s Halloween favorites

A combination of these activities will help cure some Halloween homesickness.

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Classifieds – October 12, 2021

The Daily Trojan features Classified advertising in each day’s edition.  Here you can read, search, and even print out each day’s edition of the Classifieds.

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Reflector Reviews: Squid Game

“Squid Game” is a title that has been circulating around the web lately after its debut online, the subject of memes and speculation alike.

It is a Netflix series produced in South Korea, written and directed by Hwang Dong-hyuk and starring Lee Jung-Jae as the main character. 

This show is taking Fall 2021 culture by storm as the next Tiger King, and not just because people are stuck in their houses with nothing else to do. 

Hwang Dong-hyuk finished the script for “Squid Game” in 2009, but had trouble securing investors due to the high production costs of the more titular scenes. 

After over a decade, with Dong-hyuk successfully pitching the show to Netflix and releasing it on their website, it is causing such a surge in online traffic that a South Korean internet provider is suing Netflix for their increased maintenance costs.

I am not usually interested in live action thrillers, but I decided to grab a few snacks this time and see what the internet-breaking hype was about. 

The first few minutes of the show are slow and nostalgic, shown in sepia filters with traditional music playing in the background. Children run around happily, determined to win the game they are engaging in. 

The show’s narrator explains that this is the “Squid Game”, and details the rules and actions. In this way, things are slowly introduced to the viewer. 

We meet the main character, Seong Gi-hun, and get an intimate view of a day of his life, forming an opinion about him. We see the connections he has with other people and his actions towards them, as though he is an open book.

Soon after this, my eyes were glued to the screen and my jaw dropped to the floor. I binge watched it all, and each episode is about an hour long.

Technically speaking, it is a seamless series with excellent lighting, crisp audio and horrifyingly imaginative set design. 

The establishing shots pan slowly around the room, as though you too are taking stock of the situation. Each low and high angle take is filmed with impact, as an intent of a display of power and weakness. 

Interestingly, eye level scenes are only shown briefly, highlighting the connectivity between the main character and others he is close to. 

The main character is a well written average man with his own internal conflict and moral compass, the kind of person someone can relate to and root for. Gi-hun has complexities that are slowly brought out with each obstacle he faces, and Lee Jung-Jae portrays him well. 

Every brutal episode of this series is a new challenge to morality, and each character is brought to life so well that you could pass them in the street and recognize them.

A typical dystopian series or film follows the same format of ‘privileged oppress the poor in dehumanizing ways’, but “Squid Game” hits harder in this economy. 

The series flips the concept on its head and turns the mirror towards all of us. It genuinely makes you wonder, what would you do? 

If you are quarantining or having a night in with a few of your friends, I would recommend giving “Squid Game” a try.

Fair warning though, this is not for the faint of heart. 

Rating: A 

 

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Cooke: CSU should respond to Oct. 8 climate strike

The climate strike that took place on Colorado State University’s campus Oct. 8 brought a variety of different causes together under a collective call for systemic change and radical action.

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