Ra Ra Riot’s 2008 release “The Rhumb Line” won over the hearts of fans and critics alike with intricate strings, catchy melodies and a style that brightened the darkest days. Whether it was the strings of “Ghost Under Rocks,” the cover of Kate Bush’s “Suspended in Gaffa” or the radio-friendly “Can You Tell,” the album could do no wrong.

“The Orchard” is not “The Rhumb Line.” Characterized by syncopated beats, synths and remaining true to the meandering vocals that made the first album so memorable, “The Orchard” adds dimension to a band that could easily fall into the rut of mundane indie-pop that many of their contemporaries epitomize. Instead of adhering to strings as the songs’ foundation, they work seamlessly alongside the synths, upped bass and ever-present percussion.

The album starts with the track sharing its name, an introduction to the heartfelt, lovesick vocals that continue throughout. The single “Boy” and dance jam “Too Dramatic” follow with upbeat tempos and vocalist Wes Miles’ soaring melodies. The ballad “You and I Know” adds variety, sung by cellist Alexandra Lawn whose previously unheard vocal abilities are showcased with minimal instrumentation. “The Orchard” is immensely enjoyable, but unfortunately some songs fall into the “filler” category —specifically the forgettable “Massachusetts,” clocking in at an unnecessary 5:39.

The relative lows are countered by undeniable highs with the last half of the album boasting arguably the strongest tracks including “Shadowcasting,” a throwback to “The Rhumb Line.” Overall, “The Orchard” demonstrates progress, heart and the resounding message that Syracuse’s Ra Ra Riot is here to stay.